Discografia Joaquin Sabina < Direct • VERSION >

The story of a man who lives in the shadows of Madrid, told through the iconic albums of Joaquín Sabina The night was damp as Mateo stepped out onto Calle Melancolía

. He had nothing but an old guitar and an Inventario of regrets. He had spent years playing in Malas compañías, dodging the law and chasing ghosts in Hotel, dulce hotel.

Life felt like a game of Ruleta rusa until he met her. He told her Mentiras piadosas about his past, claiming he was a poet of Física y química. But as they danced, he realized Esta boca es mía and he couldn't keep quiet any longer. He confessed his dual nature—Yo, mí, me, contigo—and for a moment, they were more than just Enemigos íntimos.

Then came the crash. It took 19 días y 500 noches for the heartbreak to settle. He walked the pavement as a Diario de un peatón, searching for an Alivio de luto among the Vinagre y rosas of the city. He felt like a survivor on La orquesta del Titanic, but even as the ship sank, he found himself saying, "Lo niego todo". Joaquín Sabina's Studio Discography Album Title Inventario Malas compañías Ruleta rusa Juez y parte Hotel, dulce hotel El hombre del traje gris Mentiras piadosas Física y química Esta boca es mía Yo, mí, me, contigo Enemigos íntimos (with Fito Páez) 19 días y 500 noches Dímelo en la calle Alivio de luto Vinagre y rosas La orquesta del Titanic (with Joan Manuel Serrat) Lo niego todo Discografía – Joaquín Sabina – Web Oficial discografia joaquin sabina

Here is the story of Joaquín Sabina’s discography, not as a dry list of albums, but as a chronicle of a life lived on the edge of a barstool, written in rhyme, rhythm, and raw confession.

Los Directos: La Esencia de la Discografia Joaquin Sabina

Si hay algo que define a Sabina más que sus discos de estudio, son sus álbumes en directo. El Flaco es un animal de escenario, y sus grabaciones en vivo son los mejores documentos históricos.

Dos Pájaros de un Tiro (2000) – Live with Fito Páez

The definitive live document of their tour. Raw, emotional, and essential. The story of a man who lives in

The Early Years: Finding a Voice (1978–1984)

Before becoming “el Niño de la Calle” (the street kid), Sabina fled Franco’s Spain for London, then returned to a nascent democracy. His first albums are raw, unpolished, and filled with a young man’s anarchic energy.

Álbumes con el grupo "Viceversa"

(Etapa de rock más duro a principios de los 80)

Lo Niego Todo (2010) – Live

Another essential live album, featuring a stunning version of “Contigo.” Nos sobran los motivos (2000): Grabado durante su

Act II: The Barroom Romantic Breaks In (1984–1987)

Then comes the metamorphosis. “Joaquín Sabina y Viceversa” (1984) is the turning point. With the band Viceversa, he discovers rock and roll electricity. But it’s “Juez y Parte” (1985) that lights the fuse. The song “Pongamos que hablo de Madrid” turns the capital into a character—a dirty, beautiful lover. Sabina is no longer a troubadour; he’s a crook with a heart, a gambler who rhymes despair with a wink.

By “El Hombre del Traje Gris” (1988), he is the archetype: the man in the gray suit who secretly writes poems on napkins. This album is his identity card. It sells, but more importantly, it settles in—like a regular at a bar who never has to order because the waiter already knows.

El Poeta Tiene Calle (2017) – Compilation

Not a studio album, but a tribute collection. However, the new song “Lágrimas de Mármol” is a standout.