Gong 2000 Album Laskar < 10000+ Reliable >

I’m unable to locate a specific article or verify an album titled "Laskar" by an artist named "Gong" from the year 2000.

Here are the most likely explanations:

  1. Possible confusion with the band Gong: The progressive/psychedelic rock band Gong was active, but their discography around 2000 includes albums like Zero to Infinity (2000) and OK Friends (1999), not Laskar.

  2. Indonesian or Malay context: The word Laskar (meaning "warrior" or "troops" in Indonesian/Malay) suggests a possible release from that region. There is a well-known song "Laskar Pelangi" by the band Nidji (2007), but not Gong. Laskar could be a track or album title by a local artist named Gong (e.g., Gong 2000, a dangdut or pop group), but this would be obscure or non-digitally archived.

  3. Misspelling or misremembering: You might be thinking of:

    • "Laskar" by The Adams (Indonesian band, but no 2000 album)
    • Gong's "Laskar" as a single — no known major release.

To help you better, could you clarify:

If you believe this is a real release, it may be extremely obscure (local cassette-only release from Indonesia, Malaysia, or the Middle East). You could try searching on Discogs, WorldCat, or Indonesian music forums using the exact spelling "Gong 2000 Laskar".

released in 1993 by the Indonesian rock supergroup , is a landmark of 90s Indonesian rock . Led by legendary vocalist Ahmad Albar and guitar virtuoso Ian Antono

(both of God Bless fame), the album blends hard rock energy with traditional Indonesian cultural elements.

Below is a story inspired by the album’s themes, tracklist, and the era of its creation. The Legend of the Laskar: A Story of Gong 2000

In the early 1990s, the Indonesian music scene was a battlefield of sound. While pop dominated the airwaves, a group of seasoned warriors—vocalist Ahmad Albar, guitarist Ian Antono, bassist Donny Fattah, and drummer Jelly Tobing—decided to summon a new spirit. They called themselves , and their second great decree was the album 1. The Prologue: A Sacred Awakening

The journey begins at the break of dawn with a spiritual chant. The "Prolog (Om Awighnam Astu Namo Sidham)"

fills the air like incense in a Balinese temple. It is a prayer for smoothness and success, signaling that this is more than just an album; it is a ritual. 2. The March of the Warriors As the prayer fades, the thunderous drums of

(Soldier/Warrior) erupt. The story shifts to a dusty battlefield where the "Laskar" are not soldiers of war, but soldiers of life. They are the common people, the workers, and the dreamers standing firm against the changing tides of a modernizing nation. Ahmad Albar’s gritty voice acts as their rallying cry, demanding strength and integrity. 3. Trials and Honesty

The path of the warrior is never easy. In the shadow of the great mountains, the "Laskar" face the quiet agony of "Menanti Kejujuran"

(Waiting for Honesty). It is a moment of reflection—a power ballad that echoes through the valleys, questioning a world where truth has become a rare currency.

As they move through the urban landscape, they witness the darker side of humanity: "Kaki Tangan Setan" (Satan's Henchmen) and "Setan Jalanan"

(Street Demons) tell tales of the temptations and dangers lurking in the city's neon-lit alleys. The suffocating haze of (Pollution) reflects a world choking on its own progress. 4. The Cultural Bridge

Despite the grime of the city, the warriors remember their roots. The track "Jawa Bali"

serves as a sonic bridge, fusing the heavy distortion of Western rock with the intricate, rhythmic patterns of the Indonesian archipelago. It is a celebration of identity, proving that the heart of a "Laskar" beats to the rhythm of his ancestors. 5. The Epilogue: A Return to Peace

After the battles are fought and the social critiques are sung, the journey comes full circle. The

returns to the sacred chant. The dust settles on the battlefield, the warriors lower their shields, and peace is restored. The album ends not with a bang, but with a lingering sense of spiritual resolve. Tracklist Overview For those looking to relive the journey, the full album consists of: (Om Awighnam Astu Namo Sidham) Menanti Kejujuran Kaki Tangan Setan Lagu Tentang Cinta Mulut-Mulut Alam Dan Penguasa Setan Jalanan (Om Awighnam Astu Namo Sidham) band members' history in Indonesian rock? Gong 2000 – Laskar – Cassette (), [r9452180] - Discogs

1. Prolog: Di Bawah Panji

The album opens not with a guitar riff, but with the sound of a gendang (traditional drum) and the distant call of a serunai (oboe-like instrument). Spoken-word narration in classical Malay intones a pledge of loyalty to a forgotten kingdom. It’s a bold choice that immediately signals that this is not a typical rock album. The track segues seamlessly into the first proper song via a feedback loop.

Lyrical Themes: War, Identity, and Belonging

The keyword "Laskar" itself translates to "warrior" or "troops." But the Gong 2000 album Laskar is not a glorification of violence. Instead, it uses the metaphor of warfare to explore internal and social conflicts.

Legacy and Rarity

Why does the search for "gong 2000 album laskar" persist today? Primarily because the album is a collector's holy grail.

Physical copies of Laskar were released exclusively on cassette tape via an independent label that went defunct in 2003. No official digital remaster was released for over fifteen years. Unofficial MP3 rips from worn-out cassettes circulate on obscure blogs and YouTube channels, characterized by the warm hiss and occasional wow-flutter of aging magnetic tape.

For collectors, owning an original Laskar tape is akin to owning a rare punk 7-inch. The cover art—a rough linocut print of three shadowy figures holding a banner against a blood-red sky—has become iconic in Indonesian graphic design history.

Review: The Last Greatstand of Dangdut Rock

Album: Laskar Artist: Gong 2000 Released: 1991

If you grew up in Indonesia in the early 90s, the opening riff of "Laskar" wasn't just a sound; it was a regional anthem. It was the signal that the dangdut koplo scene had matured, electrified, and was ready to conquer the national stage. Gong 2000, the project led by the inimitable Lia Nawaz, delivered an album with Laskar that stands as a high-water mark for the genre—a perfect fusion of traditional Middle Eastern textures, Javanese gamelan scales, and the raw power of rock 'n' roll. gong 2000 album laskar

The Sonic Assault Right from the titular opening track, Laskar announces its intentions with brass balls. The brass section is loud, distorted, and commanding, mimicking the cavalry horns of a marching army. It is impossible to listen to the song "Laskar" without feeling a surge of adrenaline. It is music designed for the open road, for truck drivers navigating the Trans-Java highway at midnight, and for wedding parties that have run well past midnight.

What separates Gong 2000 from their predecessors was the production quality. The keyboard work is crisp, utilizing the "suling" (flute) sounds and synthetic strings to create a wall of sound that feels grandiose. The bass lines are funky and driving, locking in with the kendang (drum) patterns in a way that forces involuntary body movement.

Lia Nawaz: The Heavy Metal Dangdut Frontman Lia Nawaz is the heart and soul of this record. Her vocal delivery is unique in the dangdut sphere. While many female dangdut singers of the era leaned into sweetness or melodrama, Lia delivered her lines with a rock-star grit. On tracks like "Terlena" and "Satu Muka," she sounds commanding, almost aggressive, matching the volume of the amplifiers behind her. She doesn't just sing the lyrics; she belts them with a defiance that gave the music a distinctly masculine, heavy energy that appealed universally.

Beyond the Hits While the radio played "Laskar" on loop, the album offers deeper cuts that showcase the band's musicality. The interplay between the keyboard solos and the brass riffs creates a hypnotic, trance-like state typical of the best koplo music. It isn't just dance music; it is musical storytelling. The emotional resonance of the slower, more melodic breakdowns proves that Gong 2000 wasn't just about volume—they understood arrangement and dynamics.

The Verdict Laskar is not just an album; it is a cultural artifact. It represents a time when dangdut was evolving from a marginalized folk genre into a pop-cultural powerhouse. It bridged the gap between the village tarling parties and the Jakarta recording studios.

Decades later, the album has lost none of its potency. It remains a masterclass in rhythm and energy. If "Laskar" comes on the radio today, you will still see heads nodding and feet tapping. It is a timeless, high-energy masterpiece that cemented Gong 2000 as the knights of the dangdut rock revolution.

Rating: ★★★★★ (5/5) Key Tracks: Laskar, Terlena, Satu Muka.

Released in 1993, is the third studio album by the Indonesian rock supergroup

. Led by the legendary Ahmad Albar and guitarist Ian Antono (both of God Bless), the album solidified the band’s legacy as pioneers of Indonesian hard rock infused with traditional ethnic elements. Album Background and Sound The "Laskar" Identity

: The title track, "Laskar," remains an iconic anthem in Indonesian rock history. It captures the band's signature high-energy sound, featuring powerful vocal performances and intricate guitar work. Ethnic Fusion

: Gong 2000 was known for blending heavy rock instrumentation with Balinese and Javanese scales, a style that peaked during the Key Tracks

: Beyond the title track, the album includes fan favorites like "Kepala Dua" and "Peluru Tanah," which showcase the band's technical prowess and lyrical focus on social themes. Lineup During Laskar The album featured a "dream team" of Indonesian musicians: Ahmad Albar Ian Antono : Lead Guitar Donny Fattah Yaya Moektio Harry Anggoman : Keyboards

While Gong 2000 eventually dissolved as members returned to God Bless or pursued solo projects,

is still highly regarded by collectors. You can still find original CD and cassette copies of the album on marketplaces like or more info on the band's other releases

is the second studio album by the Indonesian rock group , released on July 30, 1993

. It is a landmark release in Indonesian rock history, known for blending hard rock with traditional Eastern (Bali and Java) musical nuances 1. Key Album Information Release Date: July 30, 1993 Metrotama Records / Konser Musik Music Style: Rock with Eastern (pentatonic) influences 2. Band Members

Gong 2000 is often seen as a spin-off or "miniature" version of the legendary band , as many members overlap between the two groups . The formation for this album included: Ahmad Albar : Lead Vocals Ian Antono : Lead Guitar Donny Fattah : Bass Guitar Harry Anggoman : Keyboards Yaya Moektio Albert Wijaya 3. Tracklist

The album consists of 12 tracks, including a prologue and epilogue that feature traditional Balinese chanting (Kecak style)

The 12-track album, featuring a Prologue/Epilogue by I Gusti Kompiang Raka, includes songs largely penned by Ian Antono, Donny Fatah, Yaya Moektio, and Ali Akbar, such as the title track "Laskar," "Menanti Kejujuran," "Jawa Bali," and "Setan Jalanan" 4. Historical Context & Significance Musical Identity:

The album, particularly in tracks like "Laskar" and "Jawa Bali," blends hard rock with Indonesian cultural elements, specifically utilizing pentatonic scales from Java and Bali Reception: followed the success of Bara Timur

(1989), solidifying Gong 2000's position in the 1990s Indonesian rock scene Notable Hits: The ballad "Menanti Kejujuran" remains a popular and enduring track of specific songs or more about the band's history compared to God Bless? Gong 2000 | Spotify

60,593 monthly listeners. Menanti Kejujuran. Cinta Yang Hilang. Laskar. Bara Timur (Live) Alam Dan Penguasa. Gong 2000 Discography: Vinyl, CDs, & More | Discogs

Indonesian band from the 1990s. 1990s.: Ahmad Albar, Albert Wijaya, Donny Fattah, Harry Anggoman, Ian Antono Laskar Artist: Gong 2000 Kode: - Label: Konser Musik

Track List: 1. PROLOG 2. LASKAR Donny Fatah 3. MENANTI KEJUJURAN Ian Antono & Fajar Budiman 4. DUNIAKU #Albummusik #Gong2000 Gong 2000 - Laskar

Digital Pelangi Musik Laskar · Gong 2000 Gong 2000 - Laskar ℗ 2021 Digital Pelangi Musik Released on: 1993-07-30 Gong 2000 - Topic Play Gong 2000 on Amazon Music Unlimited

Top Albums * Gong 2000 Live. Album • 1994. * Prahara. Album • 1998. * Laskar. Album • 1993. Gong 2000 biography - Last.fm

Gong 2000 is sectarian rock music group made up of Ian Antono, Albert Wijaya, community of musicians called Music Workshop Gong. Gong 2000 Discography: Vinyl, CDs, & More | Discogs

A great topic for fans of psychedelic rock and Gong! I’m unable to locate a specific article or

Gong - Laskar (2000)

Laskar is the 16th studio album by the French-English psychedelic rock band Gong, released in 2000. The album marks a significant chapter in the band's history, as it was recorded over 30 years after their initial disbandment in 1975.

Background

In the late 1990s, Gong's founder and visionary, Pierre Angry, revived the band with a new lineup featuring some original members, including Andy Radican on drums, and newcomers like David Stewart on bass and vocals. The band's musical style had evolved significantly since their early days, incorporating more diverse influences while maintaining their signature psychedelic and progressive rock sound.

The Album

Laskar, named after a traditional Malay word for "warrior," reflects the band's ongoing fascination with Eastern philosophy and culture. The album features eight tracks, showcasing Gong's characteristic blend of psychedelic textures, melodic songwriting, and cosmic explorations.

The album's sound is characterized by lush instrumental arrangements, intricate percussion, and angelic vocal harmonies. The band's use of exotic instruments, such as the sitar and tabla, adds a distinctive flavor to the music. Laskar's songwriting ranges from catchy, melodic tracks like "Karma's Gone" to more experimental and atmospheric pieces like "Phat Jelly" and "Mamam".

Reception and Legacy

Laskar received positive reviews from critics and fans, with many praising the band's ability to evolve and adapt their sound while remaining true to their psychedelic roots. The album has since become a beloved addition to Gong's extensive discography, appreciated by fans of psychedelic rock, progressive rock, and world music.

Tracklist

  1. "Karmarama"
  2. "Phat Jelly"
  3. "Golden Domed Cities"
  4. "Karma's Gone"
  5. "Mamam"
  6. "The Pea Shoot"
  7. "Laskar"
  8. "Halo Moon"

Personnel

Conclusion

Gong's Laskar (2000) represents a triumphant return to form for the legendary psychedelic rock band. The album showcases their ongoing creativity and ability to blend eclectic influences, making it a must-listen for fans of Gong, psychedelic rock, and progressive music.

The Spiritual Revolution: An Analysis of GONG’s Laskar (2000)

In the landscape of Malaysian rock music, the turn of the millennium was a period of transition. The era of "underground" rebellion was maturing, and bands were searching for sounds that were distinctly local yet universally resonant. Amidst this shifting tide, the band GONG, led by the enigmatic troubadour Meor Aziddin Yusof, released Laskar in 2000. Far from the typical hard rock or pop-metal dominating the airwaves, Laskar emerged as a concept album of profound depth—a poetic fusion of blues, folk, and progressive rock that tackled themes of spirituality, addiction, and the human condition. It remains a milestone in Malaysian music history for its intellectual weight and musical audacity.

To understand Laskar, one must first understand the ethos of GONG. While many contemporaries chased commercial success with power ballads, GONG pursued the concept of kreativisme, prioritizing artistic integrity over sales. Laskar was the epitome of this philosophy. The title, translating to "Warriors" or "Army," does not refer to soldiers of war in the traditional sense. Instead, it alludes to the internal struggle of the soul—the "warriors" of the spirit fighting against the darkness of worldly desire and moral decay. The album’s magnum opus, the seven-part suite "Lagu Fitnah," serves as the structural backbone for this narrative. Through this sprawling track, the band weaves a story of betrayal, seduction, and redemption, utilizing the Malay literary tradition of allegory to critique societal hypocrisy.

Musically, Laskar was a daring departure from the norm. Meor Aziddin Yusof’s guitar work was heavily influenced by the blues, but it was filtered through a distinctly Malay sensibility—what critics often described as "blues kampung" (village blues). The arrangements were raw and unpolished by commercial standards, yet intricate in their execution. Tracks like "Suratan" and "Bisikan" utilized haunting melodies and unconventional time signatures that mirrored the lyrical themes of confusion and enlightenment. The band created a sonic atmosphere that was dense and brooding, allowing the listener to feel the weight of the "battle" described in the lyrics. This was not music created for dancing; it was music created for contemplation.

The lyrical content of Laskar elevated the album from a mere collection of songs to a work of art. In an era where rock lyrics were often dismissed by conservative society as hedonistic or nonsensical, GONG dared to address the listeners' intellect and conscience. The album confronted the duality of man—the struggle between the animalistic instincts and the divine spirit. The lyrics were poetic, drawing on religious and philosophical motifs without being preachy. They offered a mirror to the listener, asking them to examine their own role in the moral landscape of the time. This intellectual approach carved out a unique space for GONG, attracting a fanbase that valued substance over style.

Two decades after its release, the legacy of Laskar endures precisely because it refused to compromise. It did not chase the trends of 2000; it set its own course. While it may not have achieved the massive commercial footprint of pop-rock bands like Search or Wings, it garnered a cult following and critical acclaim that has only grown over time. It proved that Malay rock music could be a vehicle for high art and philosophical discourse.

In conclusion, GONG’s Laskar stands as a testament to the power of artistic conviction. It is an album that defined a specific moment in Malaysian counter-culture, blending the raw emotion of the blues with the intellectual rigor of a concept album. By transforming the stage into a battlefield for the soul, GONG created a timeless work that continues to resonate with anyone willing to listen to the whispers of the spirit. Laskar is not just an album; it is a journey into the heart of Malaysian musical poetry.

Laskar is the second studio album by the Indonesian rock supergroup Gong 2000, released in July 1993. While the band was often seen as a "God Bless sequel" because it featured the legendary core of Ian Antono, Ahmad Albar, and Donny Fattah, Laskar represented a shift toward a more polished, "Bengkel Musik" community sound. Background: More Than a God Bless Spin-off

Formed in 1990 by Ian Antono, Gong 2000 was initially a workshop for Indonesian rock musicians. By the time Laskar arrived, the lineup was a powerhouse of technical skill: Ahmad Albar: Vocals Ian Antono: Guitars Donny Fattah: Bass Harry Anggoman: Keyboards Yaya Moektio: Drums The Tracklist: Social Grit and Power Ballads

The album, released via Bens Records , blended aggressive heavy metal with the grand orchestral rock typical of 90s Indonesian productions. Highlights Laskar

The title track, a high-energy rock anthem with sharp guitar work. Menanti Kejujuran

One of the band's most enduring hits; a slow-burn power ballad. Duniaku

A socially conscious track exploring modern environmental/human struggles. Kaki Tangan Setan

A heavy, riff-driven song characteristic of Ian Antono’s signature style. Mulut Mulut Known for its punchy rhythm and critical lyrical tone. Legacy and Significance

Laskar, released in 2000, stands as a significant milestone in the discography of Gong 2000, one of Indonesia’s most influential rock groups. Formed in the early 1990s as a creative offshoot of the legendary band God Bless, Gong 2000 brought together virtuoso musicians, most notably the iconic vocalist Ahmad Albar and the masterful guitarist Ian Antono. The album Laskar arrived during a period of transition in the Indonesian music industry, serving as a powerful reminder of the enduring appeal of rock music amidst the rising popularity of pop and alternative genres. Through its sophisticated instrumentation, poignant lyrics, and high production value, Laskar solidified Gong 2000’s legacy as architects of modern Indonesian rock. Possible confusion with the band Gong : The

The musicality of Laskar is defined by its blend of hard rock energy and melodic sensibility. Ian Antono’s guitar work remains the centerpiece of the album, characterized by sharp riffs and soulful solos that demonstrate why he is considered a pioneer of the craft in Southeast Asia. Unlike the raw, heavy metal influences found in some of their earlier work, Laskar shows a more polished and mature sound. The arrangements are intricate, often incorporating synthesizers and atmospheric layers that give the tracks a cinematic quality. This sonic evolution allowed the band to appeal to their loyal fanbase while also sounding contemporary to a younger generation of listeners in the new millennium.

Lyrically, the album explores themes of heroism, social struggle, and human resilience. The title "Laskar," which translates to "soldier" or "warrior," sets a tone of strength and perseverance that resonates throughout the tracks. Ahmad Albar’s signature gravelly voice delivers these messages with a sense of urgency and authority. The songs often reflect the socio-political climate of Indonesia at the time, touching upon the hopes and challenges of a nation in flux. By tackling these weighty subjects, Gong 2000 elevated the album beyond simple entertainment, positioning it as a cultural commentary wrapped in the guise of high-energy rock and roll.

In conclusion, Laskar is more than just a collection of songs; it is a testament to the technical skill and artistic vision of Gong 2000. It successfully bridged the gap between the classic rock era of the 1970s and the evolving sounds of the 2000s. By maintaining their uncompromising rock identity while refining their musical approach, the band ensured that Laskar would be remembered as a classic. The album remains a vital piece of Indonesian music history, illustrating the power of rock music to inspire, challenge, and endure through changing times. word count (e.g., 500 or 1,000 words)? Should the tone be more journalistic track-by-track analysis of specific songs like "Laskar" or "Pahlawan"? I can also help you find biographical details about the band members to add more depth.

Released in 1993, Laskar is the second studio album by the Indonesian rock supergroup Gong 2000, featuring legendary members like Ian Antono and Ahmad Albar. Key Album Details

Original Format: Initially released only on cassette via Konser Musik and Metrotama Records.

Aesthetic: The album cover features distinctive Balinese ornaments, red-and-black tones, and masks designed to ward off evil.

Digital Availability: You can currently stream the full album on Spotify and YouTube Music.

The album consists of 10 tracks, blending hard rock with social and environmental themes: Laskar (5:25) — The title track. Duniaku (4:10). Kaki Tangan Setan (4:27). Lagu Tentang Cinta (3:19). Jawa Bali (3:54). Alam Dan Penguasa (4:54). Polusi (3:52). Setan Jalanan (3:17).

Menanti Kejujuran (4:44) — One of the band's most recognizable ballads. Mulut Mulut (5:01). Laskar - Album oleh Gong 2000 - Spotify

Report: Gong's 2000 Album "Laskar"

Introduction

Gong is a British-French psychedelic rock band that was formed in the late 1960s. The band has undergone several lineup changes over the years, but the core member and founder is Daevid Allen. In 2000, Gong released their album "Laskar", which marked a new era for the band. This report provides an overview of the album, its background, musical style, and reception.

Background

In the late 1990s, Gong was going through a period of transition. The band's original lineup had disbanded, and Daevid Allen was working on new material with a fresh group of musicians. Allen had been experimenting with various musical styles, incorporating elements of psychedelia, progressive rock, and world music into his work. The result was "Laskar", an album that blended Gong's signature sound with modern influences.

Musical Style

"Laskar" features a diverse range of musical styles, from psychedelic rock to jazz and world music. The album is characterized by intricate instrumental arrangements, lush vocal harmonies, and thought-provoking lyrics. The music is often described as atmospheric and introspective, with a focus on storytelling and poetic themes.

Tracklist

  1. "Blues for Allah"
  2. "Tarkan"
  3. "Merveilleuse"
  4. " Ghosts of the Future"
  5. "Crises"
  6. "Strange Love"
  7. "Troll"
  8. "Moti Special"

Reception

"Laskar" received generally positive reviews from critics and fans. The album was praised for its creative and eclectic sound, as well as Allen's thought-provoking lyrics. While some listeners found the album's experimental nature challenging, many appreciated Gong's willingness to push boundaries and explore new musical territories.

Conclusion

"Laskar" is a significant album in Gong's discography, showcasing the band's ability to evolve and adapt to changing musical landscapes. The album's eclectic sound and poetic themes reflect Daevid Allen's innovative spirit and commitment to exploring new musical frontiers. While not a commercial breakthrough, "Laskar" has developed a loyal following among fans of psychedelic and progressive rock.

Rating: 4/5

Recommendation

For fans of psychedelic rock, progressive rock, and experimental music. Recommended if you enjoy bands like King Crimson, Can, and Univers Zero.

Further Research

For a deeper understanding of Gong's history and musical evolution, it is recommended to explore their earlier work, such as "You" (1974) and "Shamal" (1975). Additionally, Daevid Allen's solo work and collaborations with other artists, such as Gong's splinter group, Univers Zero, are worth investigating.

Where to Find It

Line-up and Personnel

Why You Should Listen to Laskar Today

If you are searching for gong 2000 album laskar, you are likely an archivist, a student of Indonesian social history, or a fan of global underground hip-hop. Here is why you should hunt down this album:

  1. Prophetic Lyrics: Many of the social critiques Gong leveled in 2000 have become reality. The rise of oligarchy, the silencing of street art, and environmental destruction—all are mapped out in this remarkable work.
  2. Unique Fusion: Before the massive popularity of Rich Brian or Young Lex made Indonesian hip-hop global, Gong was mixing pantun (traditional Malay quatrains) with urban storytelling. Laskar is a missing link between folk music and rap.
  3. Raw Energy: Modern music is often overproduced. Laskar retains the crackling energy of a live protest. It is not meant to be perfect; it is meant to be felt in your chest.