2010-2019 : 50 Best Hindi Films * MASAAN (Directed by Neeraj Ghaywan, 2015) * UDAAN (Directed by Vikramaditya Motwane, 2010) ... * WordPress.com
A to Z Bollywood Movie List (2000-2012) | PDF | Cinema Of India
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Aarya was a film buff with a quirky hobby: she collected titles of Hindi movies—one for each letter of the alphabet—curating what she called her A-to-Z list of the best. To her, each letter held a doorway into a memory, an emotion, or a lesson. One rainy afternoon, stuck at home and restless, she decided to turn the list into a journey for her younger cousin, Riya, who’d only just started watching classic and contemporary Bollywood.
A — Arijit’s voice filled the room as Aarya began with Anand, a gentle film about love and living fully. She told Riya how its warmth taught generations to smile in hardship.
B — For B, she chose Barfi!, and mimed the innocent mischief of its protagonist, explaining how silence can speak louder than words.
C — Chak De! India came next: Aarya stood, clenched a fist, and described how a struggling coach taught a fractured team to believe in themselves.
D — Dilwale Dulhania Le Jayenge made Riya swoon; Aarya laughed, recounting the scene on the mustard-field train platform and how patience and conviction win hearts.
E — The letter E was tricky until Aarya picked English Vinglish. She told how a small, quiet woman discovered confidence—and a new language—reclaiming her identity.
F — For F, Aarya selected Filmistaan, a satirical tale that showed how laughter and art survive even among conflict.
G — Gangs of Wasseypur came roaring in description: gritty, chaotic, and alive—Aarya warned Riya it wasn’t for children but praised its raw storytelling.
H — Hum Aapke Hain Koun..!, Aarya said with a grin, representing family, music, and the chaos of weddings that bind people together.
I — For I, she chose Ishqiya—mischief, double-crosses, and dark comedy. Riya loved the cleverness in its plot.
J — Jaane Tu... Ya Jaane Na was next, a sweet coming-of-age romance that reminded Aarya of college friendships and first crushes.
K — Kahaani brought them both to a hush: a tense thriller with a mother’s fierce resolve at its center.
L — Lagaan inspired a mini-lesson in resilience: villagers standing up to colonial rule through a game of cricket.
M — Munna Bhai M.B.B.S. made them both laugh; Aarya explained how kindness disguised as mischief can change systems. hindi movies name from a to z best
N — For N, she picked Neerja—courage personified—an ordinary woman becoming a heroic protector.
O — Om Shanti Om had them both dancing off their chairs as Aarya recounted its meta-glamour, reincarnation, and cinematic love letter.
P — Piku brought domestic humor and heartache together in moments about family, aging, and small acts of care.
Q — Queried Q? Aarya smiled and chose Queen—an impromptu solo trip that transformed a shy bride into someone who owned her life.
R — Rang De Basanti followed: youthful rebellion, friendship, and the cost of awakening.
S — Swades warmed Riya’s heart with ideas of homecoming and responsibility toward one’s roots.
T — Taare Zameen Par made them pause; the film’s gentleness toward a struggling child opened a new window on empathy.
U — Udta Punjab’s rawness painted the tragedy of addiction; Aarya cautioned Riya about its adult themes while praising its urgency.
V — For V, Aarya picked Veer-Zaara—timeless romance that crossed borders and held on to hope.
W — Wake Up Sid felt like a late-night talk: finding direction, messy growth, unexpected friendship.
X — X was the hardest. Aarya admitted the scarcity of Hindi titles starting with X, then offered Xeher—not widely known, but gritty and shadowed, a lesson that not every letter needs a blockbuster to be meaningful.
Y — Yeh Jawaani Hai Deewani brought travel, ambitions, and the elegy of friendships over time.
Z — Zindagi Na Milegi Dobara ended the list with sunlit roads, dares, and the promise to live fully now.
As she spoke, Aarya didn’t just list titles—she threaded themes: courage, love, family, rebellion, humor, and growth. Riya scribbled notes, planning movie nights. By the end, the storm had stopped and the world outside smelled new and clean. The A-to-Z list lay on the table like a map—each film a stop on a journey through life’s colors.
Weeks later, Riya began sharing the list with friends at college, adding her own picks: silly comedies, hard-hitting dramas, small indie gems. The list grew less like a rigid alphabet and more like a living conversation. Aarya realized then that the “best” was not fixed; it lived in the way each film touched someone’s day.
On a quiet evening months later, Riya texted a single line: “Let’s make an A-to-Z movie club.” Aarya smiled, opened the notebook, and under Z—beneath Zindagi Na Milegi Dobara—she wrote one small word: Together. 2010-2019 : 50 Best Hindi Films * MASAAN
Choosing the "best" Hindi movies from A to Z is a journey through decades of cinematic brilliance, from timeless black-and-white classics to modern blockbusters. This list highlights top-rated and culturally significant films for every letter of the alphabet. The A to Z of Hindi Cinema A –
(1971): A poignant masterpiece starring Rajesh Khanna and Amitabh Bachchan about a terminally ill man who lives his final days to the fullest. B –
(2005): Sanjay Leela Bhansali’s visually stunning drama about the relationship between a deaf-blind girl and her alcoholic teacher. C – Chak De! India
(2007): An inspiring sports drama featuring Shah Rukh Khan as a coach leading the women’s national hockey team to glory. D – Dilwale Dulhania Le Jayenge
(1995): Often cited as the quintessential Bollywood romance, it remains a landmark film in Indian pop culture. E – English Vinglish
(2012): Sridevi’s triumphant return to cinema as a housewife who regains her self-respect by learning English. F –
(2006): A high-stakes romantic thriller starring Aamir Khan and Kajol, set against the backdrop of Kashmir. G – Gangs of Wasseypur
(2012): Anurag Kashyap’s gritty, two-part crime epic that redefined modern Indian noir. H – Hum Aapke Hain Koun..!
(1994): A massive blockbuster that defined the "family entertainer" genre in the 90s. I –
(2005): A touching story of a deaf and mute boy who dreams of playing cricket for India. J – Jab We Met
(2007): A beloved romantic comedy that became a cult classic for its fresh storytelling and iconic characters. K – Kahaani
(2012): A taut thriller featuring Vidya Balan as a pregnant woman searching for her missing husband in Kolkata. L – Lagaan
(2001): An Oscar-nominated epic where villagers play a high-stakes cricket match against British rulers. M – Mughal-E-Azam
(1960): A legendary historical drama known for its grand scale and the tragic love story of Salim and Anarkali. N –
(2017): A sharp social satire about a government clerk trying to conduct fair elections in a conflict-ridden jungle. O – Omkara
(2006): Vishal Bhardwaj's gritty adaptation of Shakespeare’s Othello, set in the rural heartlands of India. P – Pyaasa M: Mothers (M) – Mother India (1957) Director:
(1957): Guru Dutt’s soulful story of a struggling poet, widely regarded as one of the greatest films ever made. Q –
(2014): A transformative coming-of-age story about a woman who goes on her honeymoon alone after being jilted at the altar. R – Rang De Basanti
(2006): A powerful film that awakened a patriotic spirit by connecting modern youth with historic freedom fighters. S – Sholay
(1975): The definitive "Curry Western" and a cultural phenomenon featuring the most iconic villain in Indian cinema, Gabbar Singh. T – Taare Zameen Par
(2007): A heartwarming film that explores dyslexia and the importance of nurturing a child's unique talents. U –
(2010): A critically acclaimed drama about a teenager breaking free from his oppressive father to pursue his dreams. V – Veer-Zaara
(2004): An epic cross-border love story directed by Yash Chopra, known for its emotional depth and classic soundtrack. W – Wake Up Sid
(2009): A relatable coming-of-age film about a spoiled young man finding his purpose in Mumbai. X – X: Past is Present
(2015): A unique experimental film directed by eleven different filmmakers.
Y – Yeh Jawaani Hai Deewani (2013): A modern classic that celebrates friendship, travel, and finding oneself.
Z – Zindagi Na Milegi Dobara (2011): A popular road-trip movie about three friends discovering the meaning of life and friendship in Spain.
Director: Mehboob Khan Why it’s the best: The quintessential Indian epic. Nargis plays Radha, a peasant woman who endures poverty, floods, and a wayward son, ultimately sacrificing everything. It was India’s first submission to the Oscars and remains a benchmark for strong female-led narratives.
Honorable Mention: Mughal-E-Azam (1960) – The legendary period drama.
Director: Various (Anthology) Why it’s the best: Since Bollywood has very few films starting with "X," this indie anthology deserves a mention. It compiles several short stories about relationships, time, and betrayal. It is experimental, niche, and shows the creative fringe of Hindi cinema.
Director: Shimit Amin Why it’s the best: More than a sports film, Chak De! India is a masterclass in leadership, redemption, and national pride. Shah Rukh Khan plays a disgraced hockey player who coaches the Indian women’s national team to glory. The dialogue ("Sattar minute") is legendary.
Honorable Mention: Chupke Chupke (1975) – The ultimate comedy of manners.
No list of Hindi movies name from A to Z best is complete without this cult classic. Starring Salman Khan and Aamir Khan, this comedy about two slackers trying to win a heiress’s heart is now considered the gold standard of slapstick humor. Though a box-office failure upon release, its quotable dialogues and timeless gags make it a permanent fan favorite. Runner-up: Anand (1971) – A tear-jerking masterpiece about friendship and terminal illness.
Genre: Drama/Romance The Review: Sometimes, the most beautiful stories are the simplest. Lunchbox is about a lonely widower and an unhappy housewife who connect through a lunchbox mix-up. It is a quiet, slow-burn romance that speaks volumes without being loud. Irrfan Khan’s performance is subtle and magical.