Hyena.road.2015

When we talk about great modern war films, the conversation usually circles around big-budget Hollywood epics. But nestled in that list is a Canadian gem that deserves a permanent spot on your "must-watch" list: Hyena Road

Released in 2015 and directed by Paul Gross, this isn't just a movie about "good guys vs. bad guys." It’s a messy, authentic, and deeply human look at the intersection of three lives in the heart of Kandahar. A Tale of Three Perspectives

The film brilliantly weaves together three distinct threads of the Afghan conflict: The Sniper (Warrant Officer Ryan Sanders):

Portrayed by Rossif Sutherland, Sanders represents the tactical reality of the ground war—the patience, the precision, and the immediate life-and-death stakes of every trigger pull. The Intelligence Officer (Captain Pete Mitchell):

Played by director Paul Gross himself, Mitchell is the "big picture" man. He navigates the murky waters of tribal politics and murky alliances. The Ghost (The "Desert Lion"):

A legendary former mujahideen fighter whose involvement could shift the balance of power, forcing the soldiers to decide who they can truly trust. Why It Stands Out Unlike many action-heavy war movies, Hyena Road is celebrated for its "quiet authenticity"

. It captures the crushing heat, the blinding dust, and the agonizing moral gray areas that defined the Canadian mission in Afghanistan.

It asks a haunting question that many veterans still grapple with:

Is the path to victory paved with combat action or delicate counterinsurgency? The Verdict

If you’re looking for a film that respects the technical reality of the military while delivering a heavy emotional punch, this is it. It’s a story about the cost of war and the bonds that hold people together when the world around them is falling apart.

Stream it, buy it, or find it at your local library—just make sure you see it. expand on the specific historical context

of the Canadian mission in Kandahar to add more depth to this post? Hyena Road (2015) - News - IMDb

hyena.road.2015

There is a road that does not appear on any map from after the rains. It begins in the year 2015, but not on January 1st — more like the third week of August, when the heat makes the asphalt breathe. The road is nameless, but the hyenas know it. They have always known it.

To walk the hyena.road is to accept a certain kind of laughter. Not the laugh of joy, but the laugh that comes after a long silence, when the joke is on you and the joke is your life. In 2015, the world was still pretending that everything was fine — that borders held, that futures were predictable, that the digital sun would never set. But on this road, the hyenas were already laughing. They had seen the cracks in the cement, the way the scavengers always outlast the kings.

The hyena is not a villain. It is a reminder: every empire rots from the stomach up. 2015 was a hinge year — caught between the old world of newsprint and the new world of algorithmic rage, between the last gasps of post-Cold War stability and the first tremors of what would become the long unraveling. On hyena.road, time is circular. You walk forward, but you smell the past in every ditch: the refugee's shoe, the banker's cufflink, the child's forgotten toy. All of it food.

To travel hyena.road is to travel alone, even in company. The hyenas do not hunt you; they follow at a distance, their gait a syncopated rhythm of patience. They are not hungry in the way you think. They are hungry for the moment you stop running — not from them, but from yourself. That is when the laughter begins. Not cruel. Honest.

And the year? 2015 is a door. Before it, a certain innocence about screens and shadows. After it, a recognition: the road is all there is. No destination, no town with lights, just the white line and the red dust and the yellow eyes tracking your every step. You can try to leave. But the hyena has already read your search history, your late-night messages, the unsent apology. It knows where you are going because you have already been there.

So you walk. And the hyena walks. And the road hums beneath your feet — not a song, but a frequency. Somewhere ahead, if you listen closely, you hear the echo of a laugh you recognize. Yours. From before you learned to be afraid.

That is hyena.road.2015.
A year. An animal. A path.
Choose your step carefully. The laughter is already on its way.

Notable Trivia

Realism vs. Dramatization

Basic facts

Why "Hyena"? The Animalistic Metaphor

The film’s title is not accidental. In the context of hyena.road.2015, the hyena symbolizes the scavenger nature of modern asymmetrical warfare.

Director Paul Gross noted in a 2015 interview at TIFF (Toronto International Film Festival) that hyenas are misunderstood creatures—intelligent, matriarchal, and ruthless. He drew a parallel to the Canadian military, which, unlike the US Marines, often plays a "hyena role" in NATO: cleaning up the messes left by larger predators.

Hyena.Road.2015

The road had no name on any map that mattered. Locals called it Fisi Barabara—Hyena Road—not because of the animals that patrolled its gravel spine at dusk, but because of what happened to the men who walked it alone after dark.

In 2015, I was one of those men.

My name is Daniel Kemboi, and I was twenty-three years old that August, working as a fixer for a British journalist named Eleanor Vance. She wanted the truth about the cross-border smuggling routes between Kenya and Somalia. I wanted the three hundred dollars she promised. Desperation makes hyenas of us all.

We set out from Garissa on a Tuesday, in a dented Toyota Hilux with a cracked windshield and a prayer mat on the dashboard. Eleanor sat in the passenger seat, her notebook open, her pen tapping against a page already full of questions. She was forty-two, fearless in the way people who have never truly been afraid often are.

"The informant's name is Bishaaro," I said. "She waits at the abandoned petrol station near the fifty-kilometer marker. She says the trucks move every Thursday night."

"And the men who run them?"

"Hyenas," I said. "You do not negotiate with hyenas. You run, or you feed them."

Eleanor smiled. She did not run.

The road turned from tarmac to crushed limestone two hours south of the town. Baobab trees stood like ancient sentinels, their branches clawing at a sky the color of bone. Dust rose behind us in a cloud that could be seen for miles. I checked the rearview mirror constantly. Habit. Fear. The same thing out here.

We reached the petrol station at 4:47 PM. The pumps had been gutted years ago, their metal carcasses rusting in the heat. A single figure sat on a overturned drum: a woman in a faded orange headscarf, her face a map of worry lines. Bishaaro.

She did not rise when we approached. She looked past Eleanor, past me, past the truck, toward the road behind us.

"You are late," she said in Somali.

"Roadblocks," I replied.

"There are no roadblocks. There are only men who stop other men. You should not have come."

Eleanor stepped forward, extending her hand. "I'm Eleanor. Daniel says you have information about the night convoys."

Bishaaro ignored the hand. She stared at the Englishwoman with an expression I knew well—the look of someone calculating the weight of a secret against the weight of a bullet.

"The trucks carry more than charcoal and illegal sugar," Bishaaro said finally. "They carry girls. Young ones. From Mogadishu, Kismayo, even as far as Hargeisa. They are taken to the coast, then across the Gulf to places I will not name."

Eleanor's pen moved furiously. "Who leads the network?"

A sound stopped Bishaaro's answer. It came from the east, low and rhythmic: engines. Not one, but three. I turned and saw them—dust plumes rising against the setting sun, growing larger with terrible speed.

"Get in the truck," I said.

Bishaaro stood. "They know. They always know."

She ran. Not toward us, but into the bush, her orange headscarf disappearing between the thorn trees like a flame snuffed out.

"Daniel, what's happening?" Eleanor's voice had lost its calm.

The first vehicle crested the rise. A Land Cruiser, painted matte black, no plates. Three men in the cab, more in the open bed. I saw the glint of rifles—AK-47s, the gardener's tool of East African conflict.

I threw myself into the driver's seat. Eleanor barely had time to close her door before I slammed the accelerator. The Hilux fishtailed on the gravel, then caught and lunged forward.

"Hold on."

The road ahead stretched empty and straight—miles of it, with no turnoffs, no villages, no hiding places. A killing ground. Behind us, the Land Cruiser gained. A second vehicle joined it, a pickup with a machine gun mounted in the rear.

"Call someone," Eleanor said, fumbling with her satellite phone.

"Call God," I said. "He is the only one who reaches out here."

The first shot cracked past the driver's side mirror. Then another. The rear window exploded, and Eleanor screamed—not from a wound, but from the shock of glass shrapnel peppering her neck. She dropped the phone.

I drove faster. The speedometer needle trembled past 130 kilometers per hour, but the road was uneven, and the Hilux was not built for this. A pothole nearly sent us into the ditch. I corrected, overcorrected, then straightened as the engine whined in protest.

"We're not going to outrun them," Eleanor said. She had retrieved her phone, but her hands shook too badly to dial.

"No," I agreed. "But we might outlive them."

I remembered something my grandfather told me when I was a boy: The hyena laughs because it already knows where you will fall.

Fifty kilometers from the petrol station, the road forked. The left branch led to a dead-end village called Dadaab, where the refugee camps sprawled like a city of sorrow. The right branch led to the border post at Liboi—still sixty kilometers away, but with military presence. Both choices were bad.

I took the right.

The machine gun opened up properly then. Rounds stitched the road behind us, kicking up geysers of dust and gravel. One found the Hilux's rear tire. The truck slewed sideways, and for a moment I felt the full, sickening weight of gravity deciding whether we would roll. We didn't. The tire shredded, but the rim held, and I kept the wheel straight through sheer, animal stubbornness.

"We're losing speed," Eleanor said. Her voice had gone eerily calm. Some people scream before death. Others go quiet.

"I know."

The Land Cruiser pulled alongside on the driver's side. I looked over and saw a man in the passenger seat—a face I would remember for the rest of my life. He was young, perhaps nineteen, with a thin beard and hollow eyes. He wore a Manchester United jersey, faded and torn at the collar. He raised his rifle.

Not at me. At the fuel tank.

In that half-second, I understood: they didn't want to capture us. They didn't want to interrogate us. They wanted a fireball on the side of Hyena Road, a warning to every fixer, every journalist, every fool who thought they could expose what moved through the night.

I swerved. The Hilux's front bumper clipped the Land Cruiser's rear wheel well, a desperate, kamikaze move that sent both vehicles spinning. The world became a blur of brown and gray. The seatbelt cut into my chest. Eleanor's head struck the dashboard.

Then silence.

I opened my eyes. The Hilux lay on its side in a ditch, the windshield spiderwebbed but intact. Smoke curled from the engine. My left arm hung useless—dislocated, maybe broken. Next to me, Eleanor groaned but moved.

Outside, footsteps crunched on gravel.

I turned my head. The young man in the Manchester United jersey stood over the wreck, his rifle aimed down at Eleanor's window. His expression held no anger, no satisfaction. Only the flat, patient look of a hyena who has cornered its prey.

He said something in Somali. Kaa soo bax. Come out.

I did not move. Eleanor did not move.

He fired once into the air. The sound was immense inside the overturned cab, a thunderclap that left my ears ringing.

Then another sound—a deeper rumble, growing louder. Headlights appeared from the direction of the Liboi border post. Two military jeeps, their mounted guns already tracking toward the scene.

The young man hesitated. He looked at his driver, who was climbing out of the wrecked Land Cruiser. Some signal passed between them. A calculation. The border patrol was minutes away. The risk was no longer worth the reward.

They retreated. The Land Cruiser's engine coughed to life, and the two vehicles—the cruiser and the pickup—fled into the darkness, their lights extinguished, swallowed by the bush.

The soldiers found us thirty minutes later. They pulled Eleanor from the wreck, then me. I sat in the dust, cradling my useless arm, watching a pair of real hyenas circle at the edge of the headlights. Their eyes caught the beams and glowed amber. They laughed—that high, whooping cry that sounds like a child weeping and a madman cackling at once.

Eleanor was airlifted to Nairobi the next morning. A concussion, three broken ribs, a fractured wrist. She survived. She wrote her story, and it ran on the front page of a newspaper in London. The smuggling network did not stop. The girls continued to disappear. The men in the Manchester United jersey continued to drive Hyena Road.

As for me, I returned to Garissa. I used the three hundred dollars to buy my mother a new roof for her house. The rest I saved. And every night, I listen to the hyenas laugh in the darkness beyond the town's edge.

They are still laughing.

They know something I do not.

Or perhaps they know the same thing I learned on Hyena Road in 2015: that survival is not justice. That the road has no end. And that sometimes, the best you can do is stay out of the ditch long enough to see the next set of headlights coming over the rise.

I am still watching. Still waiting.

The road has no name. But I do.

And I am not finished.

Hyena Road is a 2015 Canadian war drama directed by Paul Gross that offers a grit-focused, realistic portrayal of the Canadian military's involvement in the War in Afghanistan. Set in Kandahar Province, the film follows three distinct men—a sniper, an intelligence officer, and a legendary former freedom fighter—whose lives intersect during the construction of a critical supply route known as "Hyena Road". Production and Authenticity Writer & Director: Paul Gross, who also stars in the film.

Filming Locations: The movie was filmed in Jordan and at CFB Shilo in Manitoba, Canada. It notably incorporates real footage shot by Gross during his own visits to Kandahar during the final Canadian combat deployment.

Historical Basis: The title refers to an actual route, "Route Hyena," which was constructed by American army engineers to support Canadian task force missions. Plot Summary

The narrative centers on three perspectives of modern warfare:

Directed by and starring Paul Gross, the 2015 Canadian war drama Hyena Road

explores the complex "moral muddle" of the Afghanistan war through the construction of a high-risk transport route. The film is noted for its technical authenticity and low-key naturalism, balancing a multi-strand narrative from the perspective of an intelligence officer, a sniper, and a local ally. For a detailed review, see the coverage on The Globe and Mail Hyena Road (2015) - IMDb

Hyena Road (2015) is a Canadian war drama directed by Paul Gross that provides a grounded, multi-perspective look at modern warfare in Afghanistan. Set in the volatile Kandahar Province, the film follows three distinct men whose lives intersect through the construction of a critical supply route known as "Hyena Road". Core Storylines

The narrative explores the "fluid morality" of modern combat through three primary lenses: The Sniper

: Ryan Sanders (Rossif Sutherland) leads a special forces team tasked with protecting the construction of the road while navigating deadly insurgent threats. The Intelligence Officer

: Pete Mitchell (Paul Gross) operates in the murky world of Afghan politics and tribal history, attempting to manipulate local factions to achieve military objectives. The Local Legend

: "The Ghost" (Niamatullah Arghandabi), a former mujahideen fighter with a storied past, becomes a vital yet unpredictable ally for the Canadian forces. Key Themes & Reception Hyena Road (2015) - Trivia - IMDb

"Hyena Road" actually exists and was known as "route Hyena". Hyena Road - Niamatullah Arghandabi as The Ghost - IMDb

Hyena Road (2015) - Niamatullah Arghandabi as The Ghost - IMDb. Mike Us - Facebook

, which was written, directed by, and stars Paul Gross. Released in 2015, the film explores the complexities of the War in Afghanistan from the perspective of Canadian soldiers. Film Overview

Plot: The story follows three distinct men—an intelligence officer (Paul Gross), a sniper (Rossif Sutherland), and a legendary former Mujahideen fighter known as "The Ghost"—whose lives intersect during the construction of a critical highway.

Historical Basis: The title refers to the actual "Route Hyena" (originally Route Fosters), a road built by Task Force Kandahar between 2008 and 2011 to facilitate safe transport in the region.

Production: While set in Afghanistan, it was largely filmed in Jordan to capture the authentic desert environment and heat.

Themes: It focuses on the moral ambiguity of modern warfare, the "price of peace," and the cultural divide between Western military forces and the local population. Critical Reception

The film received mixed to positive reviews, currently holding a Metacritic score and varied Rotten Tomatoes ratings:

Hyena Road (2015) is a Canadian war drama directed by Paul Gross that explores the construction of a strategic route by Canadian forces in Afghanistan. The film blends authentic combat experiences with fictional narratives, focusing on military, intelligence, and local perspectives during the conflict. For more details, visit Wikipedia.

Released in 2015, Hyena Road is a gritty, visceral war drama that explores the Canadian military’s complex involvement in Afghanistan. Directed, written by, and starring Paul Gross, the film serves as both a high-stakes action movie and a "post-modern" look at the moral ambiguities of modern counter-insurgency. The Narrative: Snipers and Shadows

The film follows two main threads that eventually collide in the volatile Kandahar Province.

The Snipers: Ryan Sanders (played by Rossif Sutherland) leads a elite sniper team tasked with protecting the construction of a critical supply route known as "Hyena Road".

The Intelligence: Pete Mitchell (Paul Gross), a savvy intelligence officer, becomes obsessed with tracking down a mysterious legendary Afghan elder known as "The Ghost"—a former mujahideen leader who could potentially be a vital ally or a dangerous wildcard.

As Mitchell recruits Sanders' team to assist in his mission, the soldiers find themselves caught in a web of shifting tribal loyalties, age-old clan feuds, and a war where, as one character puts it, "there's no winning, there's just an end-state". Production and Authenticity

What sets Hyena Road apart from many Hollywood war films is its commitment to realism and its uniquely Canadian perspective. Hyena Road (2015) - IMDb

Hyena Road (2015) is a Canadian war drama directed by and starring Paul Gross that offers an unflinching, granular look at the complexities of the War in Afghanistan. Overview of Hyena Road

Released in 2015, the film centers on three distinct perspectives within the Kandahar province:

The Sniper: A specialist attempting to navigate the moral and physical dangers of the battlefield.

The Intelligence Officer: Played by Paul Gross, this character operates in the "grey zones" of tribal politics and shifting alliances.

The Afghan Ally: A legendary former mujahideen warrior known as "The Ghost," whose personal vendettas intersect with the Canadian mission. The Realism and Critical Reception

Critics and military enthusiasts often highlight the film for its technical accuracy and "boots-on-the-ground" feel.

Praised for Realism: Unlike many Hollywood depictions of special forces, Hyena Road is noted for its focus on the logistical and psychological tolls of modern counterinsurgency.

Atmospheric Bleakness: While praised for its honesty, some viewers find its cynical portrayal of the conflict's outcome divisive.

Cultural Contrast: It is frequently compared to other modern war films like Kajaki (2014) and Mosul (2019) for prioritizing grit and regional perspective over standard action tropes. Historical and Cultural Context

The "Hyena Road" itself refers to a critical supply route built by Canadian forces through the Panjwaii district. The film explores the paradox of building infrastructure—a symbol of progress—in a territory where every kilometer is contested by unseen enemies and complex local loyalties. Key Themes

Moral Ambiguity: The film rejects a simple "good vs. evil" narrative, instead showing how soldiers must make life-or-death decisions based on incomplete information.

The Futility of Occupation: Through its portrayal of tribal warfare, the movie suggests that foreign intervention often struggles to account for deep-seated local histories.

Canadian Identity: It remains one of the most prominent cinematic representations of the Canadian Armed Forces' specific role and culture during the 21st-century conflict in Afghanistan.

Hyena Road (2015) : The Gritty Reality of Canada’s Afghan War hyena.road.2015

While Hollywood often dominates the war cinema landscape with blockbusters like American Sniper , Paul Gross’s 2015 film Hyena Road

offers a rare, unflinching look at the conflict in Afghanistan through a uniquely Canadian lens. The Story: A War of Three Perspectives

Set in the volatile Kandahar province, the film weaves together three distinct narratives that illustrate the strategic and moral complexity of modern warfare: The Boots on the Ground:

Ryan Sanders (Rossif Sutherland), a sniper commander navigating the lethal terrain. The Intelligence Game:

Pete Mitchell (Paul Gross), an officer attempting to recruit a legendary former Mujahideen fighter known as "the Ghost". The Local Struggle:

A legendary Afghan warrior with mismatched eyes who becomes a pivotal player in the soldiers' mission.

The title itself refers to a critical supply route the Canadian forces are attempting to build and defend—a project that becomes a magnet for tribal rivalries and insurgent fire. Authenticity Above All Hyena Road

apart is its commitment to realism. Director Paul Gross utilized real footage he captured in Afghanistan, blending it with action sequences filmed in Jordan to create a "marvel of quiet authenticity". Veterans have praised the film for being an honest and accurate portrayal

of the sacrifices made by Canadian brothers-in-arms in Kandahar. Critical Reception

Critics have noted that while the film may lack the constant explosive pacing of typical action movies, it excels in its "intense and interesting" character studies and its exploration of the moral ambiguity

of the Middle Eastern conflict. It doesn't shy away from the harsh truths of war, ending with a powerful, strategically complex finale that defies standard heroic tropes. Why It Matters Today Nearly a decade after its release, Hyena Road

remains a significant piece of the Canadian cultural landscape. It serves as a cinematic war memorial for the fallen and a reminder of the intricate "blood feuds and tribal rivalries" that defined the mission.

Whether you're a military history buff or just looking for a drama that challenges the "good vs. evil" narrative, Hyena Road is a must-watch for its grit and emotional depth. or details on the real-life events that inspired this film?

Hyena Road (2015) is a Canadian war drama written, directed by, and starring Paul Gross. It provides a gritty, multi-perspective look at the Canadian Armed Forces' experience in Kandahar, Afghanistan. 🎬 Core Narrative

The film interweaves three distinct perspectives centered on the construction of a critical supply road (Route Hyena) in enemy territory:

The Sniper: Ryan Sanders (Rossif Sutherland) leads a high-stakes sniper team providing overwatch.

The Intelligence Officer: Pete Mitchell (Paul Gross) navigates the murky world of tribal politics and intelligence gathering.

The Legend: A mysterious former Mujahideen fighter known as "The Ghost" (Neamat Arghandabi), whose involvement shifts the mission's trajectory. 🎖️ Key Themes

Modern Counter-Insurgency: Explores the difficulty of distinguishing allies from enemies in a "gray zone" conflict.

The Cost of Progress: Highlights the physical and moral sacrifices required to build infrastructure in a war zone.

Sniper Ethics: Depicts the psychological weight and technical precision required of long-range marksmen. 🛠️ Production Insights

Realism: Paul Gross traveled to Afghanistan to capture real footage and stories, which were integrated into the film.

Filming Locations: The movie was shot in CFB Shilo, Manitoba (Canada) and Jordan to replicate the Afghan landscape.

Authenticity: The film used real military equipment and consulted with veterans to ensure accurate tactics and dialogue. 📺 Viewing Information Director: Paul Gross Genre: War / Drama / Action Runtime: 120 Minutes

Similar Films: Kajaki (2014), The Outpost (2020), Lone Survivor (2013). If you'd like to dive deeper, I can provide: A detailed plot summary (with spoilers) An analysis of the ending A look at the real-life inspiration for "The Ghost"

Hyena Road: A Gripping Portrayal of the Afghanistan Conflict

Released in 2015, Hyena Road is a Canadian war drama film written and directed by Paul Kidd. The movie takes viewers on a thrilling ride through the rugged terrain of Afghanistan, exploring the complexities of modern warfare and the human cost of conflict.

The Story

The film follows two Canadian soldiers, Corporal George Foster (played by Eric McCormack) and Private First Class Ross Pinder (played by David Kinsella), as they navigate the treacherous landscape of Afghanistan. Their mission is to escort a NATO convoy along the infamous Hyena Road, a strategic route that has become a hotbed of insurgent activity.

As the convoy makes its way through the desert, the soldiers encounter a determined enemy, harsh weather conditions, and the psychological strain of war. Meanwhile, a subplot follows a young Afghan soldier, Ibrahim (played by Lehar Kaur), who becomes embroiled in the conflict and must confront his own loyalties and motivations.

Themes and Symbolism

Hyena Road explores several thought-provoking themes, including:

  1. The Psychological Toll of War: The film candidly portrays the mental strain experienced by soldiers during combat. The intense pressure and trauma of war take a profound toll on the characters, leading to moments of introspection and doubt.
  2. The Blurred Lines of Conflict: The movie highlights the complexities of modern warfare, where the enemy is not always clear-cut and allegiances are tested. This ambiguity is reflected in the characters' struggles to distinguish friend from foe.
  3. Cultural Clash: The film touches on the cultural divide between Western soldiers and their Afghan counterparts, illustrating the challenges of building trust and understanding in a foreign environment.

Cinematography and Direction

The cinematography in Hyena Road is stunning, capturing the unforgiving beauty of the Afghan landscape. Director Paul Kidd's use of handheld camera work and natural lighting creates a visceral, immersive experience, drawing viewers into the heart of the action.

Critical Reception

Hyena Road received generally positive reviews from critics, with many praising the performances of the cast and the film's thought-provoking themes. The movie holds a 73% approval rating on Rotten Tomatoes, with an average rating of 6.2/10.

Conclusion

Hyena Road is a gripping and thought-provoking portrayal of the Afghanistan conflict. The film's exploration of the psychological toll of war, the blurred lines of conflict, and the cultural clash between Western soldiers and their Afghan counterparts makes for a compelling watch. If you're interested in war dramas that challenge your assumptions and leave you thinking long after the credits roll, Hyena Road is a must-see.

Rating: 4.5/5 stars

Recommendation: Fans of war dramas like Platoon, The Hurt Locker, and Lone Survivor will appreciate Hyena Road's intense action sequences, complex characters, and thought-provoking themes.

Paul Gross's 2015 film Hyena Road serves as a study in modern warfare, examining moral ambiguity, military ethics, and the strategic construction of infrastructure in Afghanistan. The film blends authentic military procedure with complex character dynamics, exploring the conflict between strategic objectives and the "six-dollar bullet" philosophy. For more details, visit Samuel Goldwyn Films. When we talk about great modern war films,