Led+zeppelin+ii+quiex+sv+p+200+gram+classic+records+1969+vinyl+rip+24bit+192khz

Here’s a forum-style post written for audiophile or vinyl community (e.g., Steve Hoffman Forums, Reddit r/vinyl, or similar):

Title: Led Zeppelin II – Quiex SV-P 200g Classic Records 1969 pressing (24/192 vinyl rip)

Body:

Just finished capturing my latest treasure: Led Zeppelin II on Classic Records’ 200-gram Quiex SV-P pressing from their 1969 reissue series. Thought I’d share some impressions for anyone curious about this specific version.

The pressing:
Classic Records (RIP) put this out in the early 2000s using the original analog master tapes (flat transfer, no EQ tricks supposedly). The Quiex SV-P (Super Vinyl Profile) is their proprietary low-noise, static-resistant formula. 200g platter – dead flat, heavy, and eerily quiet surface.

Rip details:

Turntable: [insert your TT]
Cartridge: [insert cart]
Phono stage: [insert]
ADC: [insert]
Resolution: 24-bit / 192kHz (no NR, no normalization)

Sound:
First off – that deadwax silence between tracks… you could hear a pin drop. This is not the hot, compressed version you get from most CD or streaming editions. It’s dynamic and surprisingly warm. Bonham’s kick drum on “Whole Lotta Love” has real weight and snap without mud. Plant’s voice breathes – no sibilance harshness.

“The Lemon Song” – the bass walks right across the soundstage, locked in the center but with space around it. “Heartbreaker” has that raw room ambience you miss on brickwalled remasters.

Some will say Classic Records had occasional QC issues – I’ll admit side 2 has the tiniest non-fill pop at the very start of “Moby Dick,” but otherwise pristine.

Does 24/192 matter over 24/96?
On this pressing, yes – because the vinyl itself has ultra-low noise and the cut extends past 48kHz in some transients (cymbal harmonics and tape hiss). You don’t need it for enjoyment, but for archival, it’s nice to have. Here’s a forum-style post written for audiophile or

Verdict:
If you find this pressing for under $150, grab it. The Quiex SV-P really lives up to the hype – black backgrounds, punchy mids, and that analog ease. This rip will stay in my library alongside the original RL “hot mix” for different moods.

Happy to share frequency analysis / spectral screenshots if anyone’s interested. Also – does anyone know if the Classic Records 200g Zep II used the same plates as their later “Clarity” series? Curious.

— No torrent links, just listening notes

The Led Zeppelin II Classic Records 200g Quiex SV-P Go to product viewer dialog for this item.

reissue is widely regarded as one of the finest audiophile presentations of this 1969 masterpiece. Released in 2005, this specific version was mastered by Bernie Grundman using the original 1969 Atlantic master tapes. It is highly sought after for its dynamic range and "in the room" clarity, often fetching prices in the thousands for sealed copies. The "Quiex SV-P" 200-Gram Pressing

This edition utilizes the "Quiex SV-P" (Super Vinyl + Profile) formula, which was engineered to provide an extremely quiet noise floor and a flat profile for better tracking.

Mastering: Cut by Bernie Grundman on an all-tube cutting chain, aiming to capture the raw energy of the original session.

Audiophile Profile: Unlike standard pressings, the SV-P (Super Vinyl Profile) has a flat edge without a "groove guard," mimicking the profile of 1950s records to ensure consistent thickness across the disc.

Sound Quality: Reviewers on Discogs and Steve Hoffman Forums frequently highlight the immense clarity of John Bonham’s drums and the "bite" of Jimmy Page’s guitar riffs, though some find it slightly bright compared to original pressings. The 24-Bit / 192kHz "Vinyl Rip" Context Title: Led Zeppelin II – Quiex SV-P 200g

When you see "24-bit 192kHz vinyl rip" associated with this record, it refers to a high-resolution digital preservation made by an enthusiast.

High-Resolution Capture: These rips are typically created using high-end turntables and analog-to-digital converters to preserve the unique sonic characteristics of the Classic Records mastering.

Vinyl vs. Digital: While official 24/96 downloads exist, many audiophiles prefer these 24/192 vinyl rips because they capture the specific "analog warmth" and the unique EQ choices made by Bernie Grundman that are not present in standard digital remasters. Comparing the "Holy Grails" Classic Records 200g Go to product viewer dialog for this item.

is often compared to the legendary 1969 "RL" (Robert Ludwig) "Hot Mix".

It sounds like you’re looking for a deep technical and sonic analysis of a very specific audiophile release:

Led Zeppelin II – Quiex SV-P (Super Vinyl Profile) – 200g – Classic Records – 1969 mono/stereo? – Vinyl rip – 24bit / 192kHz.

Here’s an in-depth breakdown of what that combination means for sound quality, pressing history, and the digital transfer.

5. Technical Data of the 24/192 Rip (Hypothetical but realistic)

Dynamic range (DR score) – Likely DR12–DR14 (vs CD’s DR8–DR10).
Frequency response – Flat from 30Hz–22kHz, roll-off above 25kHz due to vinyl.
Noise floor – ~55dB below peak (excellent for vinyl).
Channel separation – ~30dB at 1kHz, dropping at high frequencies.

File size: ~2–3 GB for the full album (24/192 stereo WAV/FLAC).

Practical Tips for the Best Rip

Clean the record with a proper record washer (distilled water with appropriate cleaning solution or a record‑cleaning machine).
Inspect the inner and outer grooves for visible defects; avoid heavily worn copies.
Use an azimuth adjustment tool and strobe to ensure correct alignment.
Record multiple takes if necessary and compare to select the cleanest master.
Create two masters: a raw 24/192 untouched file and a conservatively restored version (de‑clicked and gentle noise reduction).
Store files in lossless formats (24/192 FLAC or WAV), with embedded notes about gear and process.

Part 4: Deconstructing the "1969 Vinyl Rip" – What You Actually Hear

Let’s track through the album on this specific rip. Turntable: [insert your TT] Cartridge: [insert cart] Phono

Side One, Track One: "Whole Lotta Love"

The Standard CD: Crunchy, congested mids. The theremin solo is piercing.
This 24/192 Quiex Rip: The opening guitar riff has space between the notes. John Bonham’s kick drum doesn't just thud; it moves air. Jimmy Page’s guitar in the left channel is growling, not buzzing. At 1:30, when the psychedelic middle section hits, the backward echo pans across the soundstage with holographic precision. You can hear the room at Olympic Studios.

Side Two, Track Two: "Heartbreaker"

The Solo: Recorded live in a different hotel room on a different amp. On a standard mix, it sounds like a muddy mess. On the Quiex rip, you hear the natural reverb of the hotel room walls. The 192kHz sample rate captures the overtones of the Marshall amp’s power tubes saturating.

The "Quiex" Signature: Because Quiex SV-P is silent, the rip reveals the master tape hiss that was always there. Many listeners mistake tape hiss for bad rip quality. It is not. It is proof of an analog transfer with no noise reduction.

Part 3: The Digital Quest – Why Rip a $1,000 Record to 24/192?

The paradox: Why would someone take a $600–$1,200 record (current market value for a mint Classic Records Quiex SV-P of LZ II) and digitize it? Because the vinyl rip becomes a unique master.

A standard digital download of Led Zeppelin II (even the 96kHz versions from the 2014 remasters) comes from a digital transfer of the master tape. That is tape > ADC > file.

A Vinyl Rip is: Master Tape > Analog Cutting Lathe > Vinyl Chemistry (Quiex) > Tonearm/Cartridge > Phono Preamp > ADC.

This chain adds the euphonic distortion of the vinyl playback system—the gentle roll-off of high-end harshness, the natural compression of the groove, and the specific harmonic saturation of the turntable’s cartridge. It is not "pure"; it is character.

1. The Source: Classic Records 200g Quiex SV-P

Classic Records (now defunct) was known for high-end reissues, often from original analog tapes.
Quiex SV-P (Super Vinyl Profile) is a proprietary compound with lower surface noise, better groove definition, and higher durability than standard vinyl.
200g – thicker than standard 120–180g, reduces resonance and warping.
This pressing of Led Zeppelin II (released ~1999–2004) was sourced from the original analog master tapes (not the later digital remasters).

Key sonic trait: The Classic Records LZ II is considered by many audiophiles as superior to the original Atlantic pressings because of quieter surfaces, tighter bass, and extended highs – but some argue it loses the raw, aggressive mids of the 1969 original.