The official studio discography of the influential Chilean band Los Prisioneros
covers their primary activity from 1984 to 1990 and their later reunion between 2003 and 2004. Studio Albums (1984–2004)
The band released six main studio albums during their career: La voz de los '80
His first LP, "La voz de los 80" (1984) is one of his most important albums of his entire career. La voz de los '80 los prisioneros discografia 19842005 320 kbps
Los Prisioneros, the iconic Chilean rock band, released six main studio albums between 1984 and 2005. Their discography transitions from the post-punk and synth-pop of the 1980s to experimental and alternative rock in the early 2000s. Main Studio Albums (1984–2005)
La Voz de los '80 (1984): Their debut album, featuring classic social commentary tracks like "La voz de los '80," "Sexo," and "Paramar".
Pateando Piedras (1986): A commercial breakthrough that incorporated more electronic sounds, including hits such as "El baile de los que sobran" and "Muevan las industrias". The official studio discography of the influential Chilean
La Cultura de la Basura (1987): A more experimental and controversial album with tracks like "We are Sudamerican rockers" and "Que no destrocen tu vida".
Corazones (1990): Shifted toward a synth-pop and romantic sound under Jorge González’s lead, featuring "Tren al sur" and "Estrechez de corazón".
Los Prisioneros (2003): The first studio album after the original lineup's reunion, featuring songs like "Ultra derecha" and "San Miguel". Status: Reunion The Vibe: Jorge and Miguel return
Manzana (2004): The final studio album, recorded without guitarist Claudio Narea, including tracks like "El muro" and "Manzana". Live Albums & Major Compilations
Los Prisioneros, hailing from San Miguel, Santiago, are arguably the most influential band in the history of Chilean rock. Their discography between 1984 and 2005 documents a journey from raw punk-influenced protest music to sophisticated synth-pop, and finally, a 21st-century comeback. The Golden Era (1984–1990)
The band's initial run defined the "voice" of a generation living under dictatorship.
El último álbum de estudio antes de la separación definitiva de la formación clásica. Contiene “Cara de reloj” y “No necesitamos banderas”.
El álbum debut es un manifiesto. Grabado con un presupuesto mínimo, pero con una actitud máxima. Temas como “El Südafricano” y “Él es mi amigo” rompieron los esquemas de la dictadura chilena.