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George Strait

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George Strait Album: “Lead On”
Description :
Personnel: George Strait (vocals); Brent Mason (acoustic & electric guitars), Paul Franklin (steel guitar); Steve Nathan (organ, synthesizer), Glenn Worf (bass); Eddie Bayers (drums); Curtis Young, Liana Manis (background vocals). <p>Everyone loves George Strait. From country fans to rock critics, George Strait is singled out as the PURE country artist. On LEAD ON, his admirers have new reason to follow. <p>His unadulterated country sound, awash in steel, fiddles and clean guitar picking, is swept by the deep waves of his distinctive Texas baritone. From the cajun dance beat of "Adalida" to the maxi-traditional "I Met A Friend Of Yours Today," Strait runs the gamut of tasty and tasteful country. No filler, no radio junkfood, just a lesson to all the wannabes, this is Country Music 101. <p>"Nobody Gets Hurt," by Jim Lauderdale (a Strait favorite) and Terry McBride, is a contemporary country classic with an old-time bass shuffle that makes it sound warmly familiar. "Down Louisiana Way" sounds like a frisky Lucinda Williams cover. "The Big One" is classic Straitabilly, an unobtrusive marriage of rock and country. "Lead On" is a gentle ballad, with dead-on delivery and phrasing. <p>Every cut is restrained, no excesses, but there's no holding back either. The tear in Strait's beer is as salty as any other country singer, and when he hurts you hear the sting. LEAD ON is like a greatest hits package: diverse, familiar, and of the highest quality. Only George Strait can pull off such a feat with ten new songs.
Customers Rating :
Average (4.7) :(13 votes)
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Track Listing :
1 You Can't Make A Heart Love Somebody Video
2 Adalida Video
3 I Met A Friend Of Yours Today Video
4 Nobody Has To Get Hurt
5 Down Louisiana Way
6 Lead On
7 What Am I Waiting For
8
9 I'll Always Be Loving You
10 No One But You
Album Information :
Title: Lead On
UPC:008811109226
Format:CD
Type:Performer
Genre:Country - Contemporary Country
Artist:George Strait
Guest Artists:Steve Gibson; Stuart Duncan; Matt Rollings; Buddy Emmons
Producer:Tony Brown; George Strait
Label:MCA Records (USA)
Distributed:Universal Distribution
Release Date:1994/11/08
Original Release Year:1994
Discs:1
Recording:Digital
Mixing:Digital
Mastering:Digital
Mono / Stereo:Stereo
Studio / Live:Studio
Customer review - February 06, 1999
3 of 3 people found the following review helpful:
- An overlooked good record

George's Strait discography has always been consistently good. This CD was never much in light, but it is excellent, with even a few gems like the cajun-flavored "Adalida", and the moving "Down Louisiana Way" which were not included in his fabulous box-set. Buy and listen. Paul LeBoutillier

Jonathan Lammert - June 08, 2000
2 of 2 people found the following review helpful:
- Pretty good album that was overlooked

The first thing I noticed was this was the first Strait album with lyrics included in the liner notes, which was nice of them to finally do.

My favorite songs on this one are Nobody Has To Get Hurt and I'll Always Be Loving You. Both have solid melodies and choruses that practically force you to sing along. Nice, creative idea on Nobody. Lead On is very The Chair-ish, as both do great jobs at examining the initial stages of a relationship. You Can't Make A Heart delivers an impressive and overlooked message, and I Met A Friend relates a realistic scenario to the meltdown of a couple.

Adalida and Big One are songs that start to get away from him a few times, with Adalida being perhaps the only substance-free song on the album. George's weakest songs have always been at least listenable and above average. This applies to What Am I Waiting.

Overall, this is a solid album, but lacks the one gotta-have, instant-classic tune that many of Strait's other albums possess.

"daryl28" - July 17, 2000
1 of 1 people found the following review helpful:
- One Of George's Best Albums.

I Like This Album. It Was Released In The Fall Of 1994. The Lead-Off Single "The Big One" Went Strait To Number 1. So Didn't "You Can't Make A Heart Love Somebody". The Title Track Is Also Another Love Balled. Buy This CD Today.

Annie Keif "Annie" (Vermont) - March 26, 2010
- Great CD

I really enjoy George Straits music and I do intend to get more of them as soon as I can

R. Spencer "Rob" (London, England) - February 05, 2005
- A very good album for the most part

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Part 2: The Trans Community Within LGBTQ+ Culture

Shared History, Unique Paths

The “T” in LGBTQ+ is not an afterthought. Trans people have been central to modern LGBTQ+ rights movements: Part 2: The Trans Community Within LGBTQ+ Culture

  • Stonewall Uprising (1969): Trans activists like Marsha P. Johnson and Sylvia Rivera (both self-identified trans women of color) were key leaders in the riots that sparked the modern gay liberation movement.
  • Early activism: Trans people fought alongside gay and bisexual people against police brutality, employment discrimination, and the HIV/AIDS crisis—even when mainstream gay organizations excluded them.

Don’ts

  • Ask about surgeries or bodies. Ever.
  • Out someone without explicit permission.
  • Say “transgenders” or “a transgender.” Use “transgender people” or “trans people.”
  • Assume all trans people want medical transition or look androgynous.
  • Use phrases like “born in the wrong body.” Some trans people use this; many find it reductive. Instead say “assigned [sex] at birth but is actually a [gender].”

The Evolution of "T" in LGBTQ

The relationship between cisgender (non-trans) gay, lesbian, and bisexual people and trans people has not always been harmonious. Throughout the 1970s and 80s, as the gay rights movement sought legitimacy from mainstream heterosexual society, there was a concerted effort to "straighten up." Many gay organizations actively distanced themselves from drag queens and trans people, viewing them as "too visible" or "bad for public relations."

This tension is encapsulated by the "LGB without the T" movement, a fringe but vocal ideology that argues that trans issues are separate from sexual orientation issues. However, this argument fails to hold water when examined historically or sociologically. The experience of being a trans woman attracted to women, or a trans man attracted to men, directly intersects with the homophobia and heteronormativity that gay and lesbian people face.

Furthermore, the culture of the closet—the shared experience of hiding one's true self for survival—is a universal queer experience. The transgender journey of coming out, facing familial rejection, and seeking community mirrors the gay experience so closely that to separate them is an act of cultural vandalism.

1. Executive Summary

The transgender community is a distinct but integral subset of the LGBTQ+ (Lesbian, Gay, Bisexual, Transgender, Queer/Questioning, and others) population. While often grouped together, transgender individuals face unique challenges related to gender identity, distinct from sexual orientation. Over the past decade, visibility of transgender people has increased dramatically in media, politics, and healthcare. However, this visibility has been met with both legislative progress in some regions and violent backlash in others. This report examines the intersection of transgender experiences with broader LGBTQ+ culture, highlighting advocacy, health disparities, and resilience.

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