Maximum the Hormone is a Japanese rock band known for their eclectic and energetic sound, which blends elements of rock, pop, and metal. Formed in 1997, the band consists of four members: Daisuke Minami (vocals), Nao (guitar), Ryo (bass), and Kaori (drums). Over the course of their career, they have released a diverse range of music, from high-energy rock songs to melodic ballads.
Early Years (2001-2004)
Maximum the Hormone's early work was marked by a raw, punk-influenced sound. Their debut album, "A.S.A.T.O.R.I.", was released in 2001 and featured fast-paced, high-energy tracks like "Bust A Move" and "Gimme Gimme". The album's sound was characterized by Daisuke's distinctive vocals and the band's tight, driving rhythms.
In 2002, the band released their second album, "Hormon", which showcased a more refined and polished sound. The album featured songs like "Hormone" and "Overdrive", which demonstrated the band's ability to craft catchy, hard-rocking anthems.
Breakthrough and Mainstream Success (2005-2007)
Maximum the Hormone's breakthrough came in 2005 with the release of their album "Full Metal Jacket". The album's lead single, "Hitomi de Canción", became a major hit in Japan, and the album itself went on to sell over 100,000 copies.
The band's subsequent album, "Sakan Tsuki", was released in 2006 and featured a more experimental sound. The album included songs like "Love or Die" and "Darts in the Dark", which showcased the band's ability to blend different styles and create unique, catchy songs.
Experimental Period (2008-2010)
In 2008, Maximum the Hormone released their album "MTH∞", which marked a significant departure from their earlier sound. The album featured a more electronic and experimental approach, with songs like "Golden Lair" and "Incredible".
The band's next album, "Yokorama", was released in 2009 and continued in a similar vein. The album featured songs like "Nishi to Higashi" and "Shiroi Yoru", which demonstrated the band's willingness to experiment and push the boundaries of their sound.
Later Work (2011)
In 2011, Maximum the Hormone released their album "A.S.A.T.O.R.I. (2011)", which saw the band returning to their earlier sound. The album featured songs like "Tetsu no Kunai Hana" and "Love Myself", which showcased the band's ability to craft catchy, hard-rocking songs.
Discography
Here is a list of Maximum the Hormone's discography from 2001 to 2011:
- A.S.A.T.O.R.I. (2001)
- Released: January 1, 2001
- Label: Independent
- Tracks: 12
- Hormon (2002)
- Released: April 10, 2002
- Label: Independent
- Tracks: 11
- Full Metal Jacket (2005)
- Released: October 19, 2005
- Label: Ki/oon Records
- Tracks: 13
- Sakan Tsuki (2006)
- Released: September 21, 2006
- Label: Ki/oon Records
- Tracks: 12
- MTH∞ (2008)
- Released: June 11, 2008
- Label: Ki/oon Records
- Tracks: 12
- Yokorama (2009)
- Released: January 21, 2009
- Label: Ki/oon Records
- Tracks: 12
- A.S.A.T.O.R.I. (2011)
- Released: January 12, 2011
- Label: Ki/oon Records
- Tracks: 13
Conclusion
Maximum the Hormone's discography from 2001 to 2011 is a testament to the band's creativity and versatility. From their early punk-influenced sound to their later experimental work, the band has consistently pushed the boundaries of their music. With a loyal fan base and a reputation for high-energy live performances, Maximum the Hormone remains one of the most exciting and innovative bands in the Japanese rock scene.
As a digital collector's note, the band's discography is available in high-quality digital formats, including FLAC, allowing fans to appreciate the band's music in its intended form.
FLAC (Free Lossless Audio Codec) is a digital audio format that allows for the storage and playback of high-quality audio files without any loss of data.
For those interested in collecting Maximum the Hormone's music, the band's discography is widely available on various digital music platforms, including those that support FLAC files.
Would you like to know more about where to find these files?
Between 2001 and 2011, Maximum the Hormone (MTH) transitioned from an underground Tokyo hardcore act to a chart-topping mainstay in the Japanese rock scene. This era includes their most iconic work, notably the tracks featured in the Death Note anime. Major Album & EP Releases (2001–2011)
The following releases are the core of the band's discography during this period:
The period between 2001 and 2011 represents the absolute peak of Maximum the Hormone’s
creative output and commercial explosion. During these years, they evolved from a niche nu-metal/hardcore act into a multi-platinum cultural phenomenon in Japan, famously bridging the gap between heavy metal, pop, and punk. Core Discography (2001–2011)
If you are looking for high-fidelity (FLAC) versions of their work from this era, these are the essential releases that define the band’s signature "Cottelee" sound: Hō (2001):
A foundational mini-album that helped build their initial fanbase. Mimi Kajiru (2002):
A critical early EP that established their chaotic, multi-vocalist style. Kusoban (2004):
Their third mini-album, featuring fan-favorites like "Abara Bob" and "Policeman Benz". Rokkinpo Goroshi (2005):
Their major-label breakthrough and first full-length album to crack the Oricon Top 40. Buiikikaesu (2007):
The band’s most iconic album, certified Gold. It includes the massive Death Note
anime themes "What's up, people?!" and "Zetsubou Billy," alongside "Koi no Mega Lover". Greatest the Hits 2011–2011 (2011):
Despite the title, this is a triple A-side single featuring "Maximum the Hormone," "Benjo Sandal Dance," and "my girl." It reached Number 1 on the Oricon charts. Why FLAC Matters for MTH Maximum the Hormone's music is notoriously dense. Maximum the Ryo-kun’s songwriting layers thrash metal riffs, funk basslines (by ), and three distinct vocal styles—from Daisuke-han’s high-pitched screams to
sugary pop melodies. Lossless FLAC audio is highly recommended for this era to: Preserve Dynamic Range:
Their tracks frequently jump from whispered pop to wall-of-sound metal. Bass Clarity: Capturing the intricate slap-bass work of Ue-chan. Vocal Layering:
Ensuring the complex vocal interplay doesn't become "muddy" during intense breakdowns. Where to Find Their Music While physical copies are available on sites like
, you can also find high-resolution digital releases on platforms like Maximum the Hormone - Википедия
Between 2001 and 2011, Maximum the Hormone (MTH) transformed from an underground Japanese nu-metal act into a global cultural phenomenon. This era is defined by the band's "cottelee" (heavy/rich) sound, characterized by jarring genre-shifts between hardcore punk, funk, pop, and extreme metal. The Early Foundation (2001–2004)
The decade began with the band solidifying its iconic lineup: Daisuke-han (screams), Maximum the Ryo-kun (guitar/melodic vocals), Nao (drums/vocals), and Ue-chan (bass).
Hō (2001): A mini-album that introduced their chaotic style to a wider indie audience.
Mimi Kajiru (2002): This release marked their transition to the Mimikajiru label and featured fan favorites like "Abara Bob".
Kusoban (2004): Often cited as their first major-label breakthrough (VAP), it reached #72 on the Oricon charts. Commercial Explosion (2005–2007)
This period saw MTH achieve mainstream dominance in Japan and gain international recognition through high-profile anime tie-ins.
Rokkinpo Goroshi (2005): Their first full-length to crack the Top 40, peaking at #27. It featured the frantic single "Rock Bankurawase".
Bu-ikikaesu (2007): The band’s magnum opus of this era, certified Gold and reaching #5 on Oricon. It contained "What’s Up, People?!" and "Zetsubou Billy"—the iconic opening and ending themes for the anime Death Note. Hiatus and Return (2008–2011)
The late 2000s were marked by brief breaks due to health issues and personal milestones.
The 2001–2011 period represents the most transformative decade for Maximum the Hormone, a Japanese band that successfully bridged the gap between underground hardcore and mainstream success. Their music—a chaotic blend of heavy metal, punk, pop, and funk—gained global recognition during this era, particularly through their contributions to the Death Note anime. Chronological Discography (2001–2011)
Between 2001 and 2011, the band's lineup stabilized with Daisuke-han (vocals), Nao (drums), Maximum the Ryo-kun (guitar/vocals), and Ue-chan (bass), leading to their most iconic releases:
Hō (2001): An early EP that showcased their transition from their original indie sound to a more complex, multi-vocalist approach.
Mimi Kajiru (2002): Their first full-length under Mimikajiru Records, featuring the single "Niku Cup".
Kusoban (2004): This album marked their foray into more melodic and "accessible" fragments, setting the stage for their mainstream breakthrough.
Rokkinpo Goroshi (2005): Their debut with major label VAP, this album reached No. 27 on the Oricon charts and solidified their status in the Japanese rock scene.
Bu-ikikaesu (2007): Widely considered their masterpiece, this gold-certified album debuted at No. 5. It includes the Death Note themes "What's Up, People?!" and "Zetsubou Billy," as well as the Top 10 single "Koi no Mega Lover".
Tsume Tsume Tsume / "F" (2008): A massive maxi-single that reached No. 2 on the Oricon charts, selling over 200,000 copies.
Greatest the Hits 2011–2011 (2011): A triple-A-side EP released after a brief hiatus. It debuted at No. 1 and served as a bridge to their subsequent 2013 album, Yoshū Fukushū. Musical Evolution and Performance
During this decade, Maximum the Hormone's style was frequently compared to System of a Down due to its drastic shifts in tempo and mood. Their songwriting, primarily handled by Maximum the Ryo-kun, became known for its heavy use of metaphors, sarcasm, and rhythmical Japanese wordplay.
The band also became a staple of the global festival circuit during this time, performing at Hellfest in France and Summer Sonic in Japan alongside acts like the Red Hot Chili Peppers. High-Fidelity Audio (FLAC)
For collectors and audiophiles, the discography from this era is often sought after in FLAC (Free Lossless Audio Codec) format to preserve the intricate layers of their production—from Ue-chan’s slap-bass techniques to the contrast between Daisuke’s screams and Ryo’s melodic pop hooks. Maximum The Hormone - Discography -2001-2011- Flac |link|
Between 2001 and 2011, Maximum the Hormone released several defining albums and singles that established their unique blend of nu-metal, hardcore punk, and pop. You can find detailed technical data and tracklists for these releases on platforms like Musicboard Studio & Mini-Albums (2001–2011) (2001): A mini-album released via Sky Records. Mimi Kajiru (耳噛じる) (2002): Their first major mini-album under the 33cjl label. Kusoban (糞盤)
(2004): Their second full album, featuring hits like "Koi no Sweet Kuso Meriken". Rock-impo Goroshi (ロッキンポ殺し) (2005): A breakthrough studio album. Bu-ikikaesu (ぶっ生き返す)
(2007): Their most commercially successful album in this period, featuring tracks like "What's Up, People?!" and "Zetsubō Billy" (featured in Death Note Key Singles & EPs Niku Cup (肉コップ) Enzui Tsuki Waru (延髄突き割る) Rock Bankurawase / Minoreba Rock Zawa...Zawa...Za..Zawa......Zawa Koi no Mega Lover Tsume Tsume Tsume / "F" Greatest the Hits 2011–2011 High-Fidelity (FLAC) Availability
While the band is primarily known for physical CD releases in Japan, high-fidelity versions (FLAC) are occasionally available through digital stores like
, though regional availability varies. Audiophile communities and forums like
often track the status of lossless digital archives and community-led discography projects. for one of these albums? Maximum The Hormone - Discogs
This report covers the core discography of the Japanese alternative metal band Maximum the Hormone (MTH) from 2001 to 2011, a decade that defined their international breakthrough and signature genre-blending style. Core Discography (2001–2011)
During this period, the band released several influential albums, EPs, and singles, many of which achieved gold certification in Japan. Studio Albums & EPs
The band's output during these years saw a shift from their early hardcore roots to a complex mix of nu-metal, punk, and pop.
Kusoban ( 糞盤, Shit Disc) is the third EP by Japanese rock band Maximum the Hormone. G'old～en～Guy
2. Rock Impo (aka Ootori / Houkou – 2003)
Often misspelled in searches, Rock Impo (Rock Impotence) is their first major studio album. This is where the "chaos metal" formula starts cooking. Tracks like "Seichou Shichau" and "Ningen no Yatsu" feature rapid-fire tempo changes. Collectors seeking maximum the hormone discography 20012011 flac must verify this album is in 16-bit / 44.1kHz. Avoid transcodes—this album’s bass drops need full frequency response.
Notable tracks from that era (in FLAC quality available on streaming/download stores)
- “Rock Bankuruwase”
- “Louisiana Bob”
- “Shimi”
- “Akagi”
- “Koi no Sweet Kuso Meriken”
Why FLAC? Technical Breakdown
You might see MP3 or OGG versions everywhere. So why specifically target FLAC for Maximum the Hormone?
- The "Wall of Sound" Problem: MTH’s music is incredibly dense—bass, dual guitars, screaming, clean vocals, triggered kicks, and samples. Lossy codecs (MP3) use a psychoacoustic model to discard frequencies they think you can’t hear. With MTH, those discarded frequencies are often the ghost notes on the bass or the reverb tails on Daisuke's screams.
- Future-Proofing: FLAC is archival. If you convert FLAC to MP3, you lose data. If you convert MP3 back to FLAC, it’s fake. Archiving the 2001–2011 era in FLAC ensures you can transcode to any future format (AAC, OGG, Opus) without generational loss.
- Dynamic Range: The early 2000s CDs suffered from the "Loudness War." However, proper FLAC rips preserve the original master's dynamic range. Compare the chorus of "Zetsubou Billy" in 128kbps YouTube audio vs. a FLAC rip—the FLAC has 30% more perceived punch.
4. Verification of Authentic FLAC
To ensure you have genuine FLAC (not transcoded MP3):
- Use Spek or Fakin’ The Funk – check for frequency cutoff above 20 kHz (CD quality) or 22 kHz (high-res).
- Look for log files from CD ripping (EAC or XLD).
- Check file hashes against known release groups (e.g., JPopSuki, Redacted, JPopsuki tracker).
Why 2001–2011? The Golden Era of Maximum the Hormone
To understand the hype around the 2001–2011 period, you must understand the band’s trajectory. Before 2001, they were a funk-punk act with little direction. After 2011, while still excellent, their output slowed dramatically (only one studio album in the following decade). The years 2001 to 2011 saw them release four studio albums and a legendary "Mimi Kajiru" single series, culminating in their global breakout.