Preset Guitar Rig 5 Avenged Sevenfold Guide
Searching for a specific Avenged Sevenfold (A7X) Guitar Rig 5
usually leads to user-created patches rather than a factory default, as the software doesn't include an official "Synyster Gates" preset. Based on community reviews and popular tutorials, here is a breakdown of how these presets typically perform and how to build one. Performance Review High Gain Versatility
: Most A7X presets for Guitar Rig 5 are praised for capturing the "tight" high-gain crunch essential for City of Evil . They often use the
(Mesa Boogie sim) to get that thick, modern American metal sound. Lead Articulation
: Users often report that while rhythm tones are easy to nail, the "shred" lead tones can sometimes sound thin or "fizzy" if the Control Room (cabinet sim) isn't dialed in correctly. Historical Accuracy
: Some community presets are specifically tuned for different eras, such as a Marshall JCM setup for the Sounding the Seventh Trumpet era versus a Bogner Uberschall style for later albums. Essential Components for an A7X Preset
If you are downloading or building a preset, look for these specific modules within Guitar Rig 5: preset guitar rig 5 avenged sevenfold
: Emulates a Mesa Boogie Dual Rectifier, ideal for the band's signature heavy rhythm.
: Provides the massive gain and "sludgy" palm mutes similar to the EVH amps used in their modern rigs. Cabinets (Control Room) 4x12 Vintage Reviewers recommend mixing a Dynamic 57 microphone (for bite) with a (for body) within the Control Room module. Pedals/Effects Skreamer (Overdrive)
: Essential for tightening the low end. Set the "Drive" low and "Volume" high to boost the amp's input without adding mud. Noise Reduction
: A must-have to handle the high gain without feedback during stops. Delay & Reverb : Add a subtle Twin Delay Spring Reverb to leads to get that "stadium" solo sound. Where to Find Presets
Dicas Guitar Rig 5 | Avenged Sevenfold "Nightmare" style tone
Here’s a technical and creative write-up for crafting an Avenged Sevenfold-style preset in Native Instruments Guitar Rig 5, focusing on the City of Evil / Nightmare era—driven by Synyster Gates’ signature blend of hot-rodded gain, tight low-end, harmonic leads, and dotted-eighth delays. Searching for a specific Avenged Sevenfold (A7X) Guitar
The Hunt for the "Synyster" Preset
If you search through Guitar Rig forums (KVR Audio, Reddit’s r/metalguitar, or the Native Instruments community), you will find hundreds of threads titled: "Looking for a good A7X preset" or "Synyster Gates tone GR5."
Why the demand? Guitar Rig 5 was not designed for modern metal out of the box. Its factory library leaned heavily toward classic rock, experimental electronic, and ambient sounds. The stock metal presets were often fizzy, undefined, or too digital-sounding for palm-muted gallops.
Thus, the community took matters into their own hands. Dedicated users reverse-engineered the A7X signal chain:
- Rhythm Tone: Tight low-end, scooped mids (but not too scooped like the 80s), and aggressive pick attack.
- Lead Tone: Saturated mids, a pronounced delay (quarter notes), and a harmonic dive-bomb ability.
Part 1: Understanding the A7X Sonic Blueprint
Before we open Guitar Rig 5, you need to understand what you are chasing. Avenged Sevenfold’s guitar tone is different from classic thrash or modern djent.
- Rhythm Tone: Tight, compressed, with a pronounced mid-range "honk" and a scooped low-mid (around 200-300Hz removed).
- Lead Tone: Liquid, harmonically rich, with a clear high-end shimmer and heavy delay/reverb.
- The "Syn" Factor: Synyster Gates uses a cocked-wah sound for leads (a wah pedal left in a fixed position) to cut through dense orchestrations.
Gear to emulate in GR5: We will be simulating a Peavey 5150 (for rhythm) and a Bogner Uberschall (for leads), pushing them with a Tube Screamer-style overdrive.
🔊 Example Songs to Test
| Section | Song | |------------------------|------------------------------| | Chug rhythm | Bat Country – verse riff | | Solo opening phrase | Afterlife – first 8 bars | | Clean + delay arpeggio | Seize the Day – interlude | | Fast alternate picking | Beast and the Harlot – pre-chorus | The Hunt for the "Synyster" Preset If you
Option 2: Manual Setup Guide (If Import Fails)
If you prefer to build the rig manually to understand the signal chain, follow these settings exactly in the rack order:
1. Noise Gate (Essential for Metal)
- Module: Supercharger (Compressor/Gate) or Standard Noise Gate
- Threshold: -45 dB (Set high enough to silence hum, but low enough to let palm mutes ring)
2. Pre-EQ (Sculpting the Gain)
- Module: EQ (Parametric)
- Low Cut: 80 Hz (Removes mud)
- Mid Sweep: Cut slightly around 800Hz-1kHz (This helps create that "scooped" A7X rhythm tone).
3. The Amp (The Core Tone)
- Module: Van 51 (This is the Peavey 5150 emulation)
- Switch: Set to Rhythm (Use the Lead channel for extra sustain during solos).
- Gain: 7.5 - 8.0 (Keep it under 8.5 to maintain clarity).
- Bass: 5.5
- Middle: 3.0 (Synyster keeps mids low for rhythms, boost to 5 for leads).
- Treble: 7.5
- Presence: 6.0
- Resonance: 5.0
4. The Cabinet
- Module: Matched Cabinet
- Selection: 4x12 Rectifier or 4x12 Jazz Chorus.
- Mics: Use a Dynamic 57 (SM57) centered on the cone. If you have the Pro version, add a Condenser C87 slightly off-axis for air.
5. Post-EQ (The Polish)
- Module: EQ (Paragraphic)
- Highs: Boost +2dB at 4kHz (Adds the "scratchy" attack for fast riffing).
- Lows: Boost +1dB at 100Hz (Adds thump).
6. Effects (For Solos/Leads)
- Reverb: Small Hall or Spring Reverb (Mix at 10-15%).
- Delay: Tape Echo. Set to a fast repeat (approx 250-300ms) with low mix (15%) to fatten lead lines.
