
|
| Core collection | Home | Crown | Register muzieklijstjes.nl | |
The Penguin guide to jazz recordings -
Core collection (9th ed. - 2008)
|
In de negende editie van The Penguin guide to jazz recordings (1646 p./2008) worden 200 albums apart genoemd onder de noemer Core collection.
Dit
gerenommeerde naslagwerk verschijnt sinds 1992 om de twee jaren. Er worden
duizenden en duizenden cd's op een rijtje gezet. Elke titel krijgt een tot vier
sterren.
Tweehonderd van deze cd's worden extra naar voren gehaald
onder de noemer
Crown |
The Ultimate Showdown: VSCO vs Shadowrocket - Which Reigns Supreme?
In the world of internet browsing and content creation, two popular tools have gained significant attention in recent years: VSCO and Shadowrocket. While they may seem like vastly different entities, both have carved out their own niches in the digital landscape. In this article, we'll pit these two giants against each other, exploring their features, functionalities, and user experiences to determine which one comes out on top.
What is VSCO?
VSCO, short for Visual Supply Company, is a popular photo and video editing app that has taken the world by storm. Launched in 2007, VSCO has evolved from a simple editing tool to a full-fledged social media platform. With a vast array of presets, filters, and editing tools, VSCO allows users to transform their ordinary photos into stunning works of art. The app's user base has grown exponentially, with over 40 million active users worldwide.
What is Shadowrocket?
Shadowrocket, on the other hand, is a relatively new player in the internet browsing scene. Developed by Netease, Shadowrocket is a powerful proxy tool that enables users to bypass internet restrictions and access blocked websites. Launched in 2018, Shadowrocket has gained a significant following among users seeking to circumvent online censorship and access restricted content. With its intuitive interface and robust features, Shadowrocket has become a go-to solution for those seeking a secure and unrestricted browsing experience.
Key Features: VSCO vs Shadowrocket
So, what sets these two tools apart? Let's dive into their key features:
VSCO:
Shadowrocket:
Comparison: VSCO vs Shadowrocket
Now that we've covered the key features of both tools, let's compare them directly:
Which One Reigns Supreme?
Ultimately, the choice between VSCO and Shadowrocket depends on your specific needs and interests.
If you're a creative looking for a powerful editing tool and social media platform, VSCO is the clear winner. With its robust features and massive user base, VSCO offers an unparalleled experience for content creators.
On the other hand, if you're seeking a secure and unrestricted browsing experience, Shadowrocket takes the crown. Its intuitive interface and robust proxy features make it an excellent choice for those navigating online censorship.
Conclusion
In conclusion, VSCO and Shadowrocket are two distinct tools that cater to different needs and audiences. While VSCO excels in content creation and social media, Shadowrocket shines in secure browsing and proxy functionality. By understanding the unique strengths of each tool, you can make an informed decision about which one to use.
Whether you're a creative, a social media enthusiast, or simply someone seeking to access restricted content, there's a tool out there for you. So, which one will you choose: VSCO or Shadowrocket? vsco shadowrocket
FAQs
By exploring the world of VSCO and Shadowrocket, you can unlock new possibilities for content creation, social media, and secure browsing. Which one will you choose? The decision is yours.
While VSCO and Shadowrocket are technically unrelated—one being a creative photo editing platform and the other a rule-based network proxy utility—they are often discussed together in specific "deep" internet circles. This intersection usually involves using Shadowrocket scripts to bypass VSCO's subscription paywalls, granting access to premium presets and features for free. The Creative Core: VSCO
VSCO is a premier mobile photography application known for its film-mimicking presets and high-end editing tools.
Film Emulation: VSCO’s signature is its library of film filters that replicate the grain, color science, and tones of classic stocks like Kodak, Fuji, and Agfa.
Editing Toolkit: Beyond basic adjustments, it offers advanced tools such as Dodge and Burn for selective lighting, Text overlays, and AI-powered Sharpen and Dehaze features.
Workflow: The app supports batch editing for maintaining a consistent aesthetic across multiple photos simultaneously. The Technical Utility: Shadowrocket
Shadowrocket is a powerful iOS-based proxy client used primarily for routing internet traffic through specialized servers. Add Text to Photos, Videos, & Photo Collages - VSCO
Unlocking Enhanced Creativity: The Ultimate Guide to VSCO and Shadowrocket The Ultimate Showdown: VSCO vs Shadowrocket - Which
In the world of mobile photography and digital aesthetics, combining the right tools can elevate your workflow from standard to professional. Two names that frequently appear together in power-user circles are VSCO, a premier photo and video editing platform, and Shadowrocket, a sophisticated networking utility.
While they serve different primary purposes, using them in tandem allows users to bypass network restrictions, optimize high-quality asset downloads, and maintain a seamless creative flow regardless of their location. What is VSCO?
VSCO (Visual Supply Company) is a highly popular mobile app known for its high-quality presets and advanced editing tools. It has cultivated a distinct "VSCO girl" aesthetic characterized by natural beauty and a laid-back, beachy vibe.
Key Features: Over 200 professional-grade presets, advanced video editing tools, and community-based sharing.
Community & Workspace: Offers spaces for shared galleries and workspace tools like lead tracking and invoicing for professional photographers. What is Shadowrocket?
Shadowrocket is a rule-based proxy utility specifically designed for iOS devices. It is frequently used as a powerful networking tool to manage traffic, enhance privacy, and circumvent internet censorship. Curious case of Shadowrocket and proxies - Questions
In some countries (e.g., China, UAE, Iran), VSCO may have reduced functionality — for instance, the community feed or social elements might be blocked. Shadowrocket, configured with a proxy or custom rules, can route VSCO traffic through a server in an unrestricted region, restoring full access.
You need a subscription URL or manual server details (Address, Port, Password, Algorithm). Many proxy providers offer "Optimized for International Apps" nodes.
Advanced users create specific .conf files that only proxy VSCO’s domains (vsco.co, static.vsco.co, api.vsco.co), leaving other apps on direct connection. This reduces latency and saves proxy bandwidth. Photo and Video Editing : VSCO offers a
Solution: You are using Global mode. Return to Rule mode. Ensure only vsco.co and vsco.com domains are proxied. Everything else should be DIRECT.
Crown (sommige titels komen in beide lijstjes voor)
| John Abercrombie | The third quartet | 2007 |
| Jan Allan | 70 | 1998 |
| Amalgam | Prayer for peace | 1969 |
| Louis Armstrong | Hot fives and Hot sevens | 1998 |
| Louis Armstrong | The complete Hot five and Hot seven recordings | 2006 |
| Albert Ayler | Spiritual unity | 1964 |
| Leandro Gato Barbieri | Chapter 4: Alive in New York | 1975 |
| Count Basie | The original American Decca recordings | ? |
| Art Blakey | Art Blakey's Jazz messengers with Thelonious Monk | 1958 |
| Arthur Blythe | Lenox avenue breakdown | 1979 |
| Anthony Braxton | For alto | 1968 |
| 0 | Machine gun | 1968 |
| Oscar 'Papa' Celestin & Sam Morgan | Papa Celestin & Sam Morgan | ? |
| Ornette Coleman | The shape of jazz to come | 1959 |
| John Coltrane | A love supreme | 1964 |
| John Coltrane | Ascension | 1965 |
| Miles Davis | Kind of blue | 1959 |
| Miles Davis & Gil Evans | The complete Columbia studio recordings | 1996 |
| Miles Davis | The complete live at the Plugged nickel, 1965 | 1996 |
| Eric Dolphy | Out to lunch! | 1964 |
| Bill Evans | Waltz for Debby | 1961 |
| Art Farmer | Blame it on my youth | 1988 |
| Ganelin trio | Ancora da capo | 1980 |
| Charles Gayle | Touchin' on Trane | 1991 |
| Stan Getz | The complete Roost recordings | 1997 |
| Dizzy Gillespie | The complete RCA Victor recordings : 1947-1949 | 1995 |
| Jimmy Giuffre | Free fall | 1962 |
| Al Haig | The Al Haig trio esoteric | 1954 |
| Scott Hamilton | Scott Hamilton plays ballads | 1989 |
| Herbie Hancock | Maiden voyage | 1965 |
| Steve Harris & Zaum | Above our heads the sky splits open | 2004 |
| Woody Herman | Jazz hoot | 1967 |
| Woody Herman | Woody´s winners | 1966 |
| Andrew Hill | Point of departure | 1964 |
| Jay Jay Johnson | The eminent Jay Jay Johnson : vol. 2 | 1956 |
| Rahsaan Roland Kirk | A meeting of the times | 1972 |
| Krzysztof Komeda | Astigmatic | 2003 |
| Lee Konitz | Motion | 1961 |
| Peter Kowald | Was da ist | 1994 |
| George E. Lewis | Hommage to Charles Parker | 1979 |
| Joe Lovano | From the soul | 1991 |
| Shelly Manne | At the Black hawk | 1959 |
| René Marie | Vertigo | 2001 |
| John McLaughlin | Extrapolation | 1969 |
| Charles Mingus | Mingus ah um | 1959 |
| Charles Mingus | The black saint and the sinner lady | 1963 |
| Thelonious Monk quartet with John Coltrane | At Carnegie hall | 2005 |
| Thelonious Monk | The complete Blue note recordings | 1994 |
| Thelonious Monk | The complete Riverside recordings | 1986 |
| Lee Morgan | The sidewinder | 1963 |
| Jelly Roll Morton | Jelly Roll Morton | 2000 |
| New Orleans Rhythm kings | New Orleans Rhythm kings 1922-1925 the complete set | ? |
| Joe 'King' Oliver | King Oliver's Creole jazz band : the complete set | 1997 |
| Tony Oxley | The baptised traveler | 1969 |
| Charlie Parker | The complete Savoy and Dial studio recordings 1944-1948 | 2002 |
| Evan Parker | 50th birthday concert | 1995 |
| Evan Parkers | The snake decides | 1988 |
| Howard Riley trio | The day will come | 1970 |
| Max Roach | We insist! : Max Roach's Freedom now suite | 1960 |
| Sonny Rollins | A night at the Village Vanguard | 1957 |
| Sonny Rollins | Saxophone colossus | 1956 |
| ROVA | Electric ascension | 2005 |
| Alexander von Schlippenbach | Monk's casino | 2005 |
| Alexander von Schlippenbach | Pakistani pomade | 1972 |
| Silver leaf jazz band | New Orleans wiggle | ? |
| Tomasz Stánko | Leosia | 2000 |
| Sun Ra | Jazz in silhouette | 1958 |
| John Surman | Tales of the Algonquin | 1971 |
| Horace Tapscott | The dark tree | 1989 |
| Art Tatum | The complete Pablo solo masterpieces | 1991 |
| Cecil Taylor | Nefertiti, the beautiful one has come | 1962 |
| Warren Vaché | 2gether | 2002 |
| Kid Thomas Valentine & George Lewis | Ragtime stompers | 2005 |
| Sarah Vaughan | Sarah Vaughan (with Clifford Brown) | 1954 |
| Edward Vesala | Lumi | 1986 |
| Bobby Watson | Love remains | 1986 |
| Larry Young | Unity | 1965 |
| John Zorn | The big gundown | 1986 |
(woensdag 1 juni 2022)