Waves 2019
"Waves" (2019): A visceral ode to love, loss, and forgiveness
Director: Trey Edward Shults Starring: Kelvin Harrison Jr., Taylor Russell, Lucas Hedges, Renée Elise Goldsberry, Sterling K. Brown Genre: Drama / Romance
Trey Edward Shults’ 2019 film Waves is an overwhelming sensory experience. It is a movie that doesn't just tell a story; it immerses the audience in the heartbeat of a family navigating the crushing pressures of suburban life. Set against the vibrant, sun-soaked backdrop of South Florida, the film is a journey through the emotional extremes of the human experience—bliss, tragedy, and the slow, painful road to redemption.
Performances
- Kelvin Harrison Jr. (Tyler): Delivers a powerful, volatile performance. He captures Tyler’s charisma and fragility — the character’s bravado is convincingly performative, and Harrison’s portrayal conveys the cracks underneath.
- Taylor Russell (Emily): Offers a luminous, restrained turn in the second half. Her emotional subtlety and vulnerability anchor the film’s quieter, redemptive strand.
- Sterling K. Brown (Ronald): Brings gravitas and controlled intensity as the patriarch. He navigates the moral complexity of a father trying to protect his family while confronting his own inadequacies.
- Renée Elise Goldsberry (Catharine): Provides emotional depth as the mother, balancing strength and tenderness.
The supporting cast contributes to the film’s realism, creating a convincing social world populated by plausible, imperfect characters.
3. Tokenomics and WAVES Asset Management
In 2019, the Waves team implemented aggressive strategies to manage the circulating supply of the native WAVES token and incentivize holding.
The Best New Plugins of Waves 2019
Despite the licensing rants, the audio quality was undeniable. In 2019, Waves released: waves 2019
- CLA MixHub: Chris Lord-Alge’s answer to SSL channel strips, allowing you to mix 64 tracks in one plugin window—a workflow revolution.
- Abbey Road TG Mastering Chain: A faithful recreation of the EMI TG12410 transfer console used by The Beatles.
- Vocal Bender: A real-time pitch and formant shifter that became an instant hit for hip-hop and pop producers.
Legacy: While many pros threatened to boycott Waves in 2019 due to the Update Plan, Waves eventually reversed some of the harsh policies in 2023. However, Version 11 remains the standard baseline. If you are buying used Waves licenses today, the first question you ask is: "Are they Version 11 or higher?"
The Split: A film of two halves
If you know one thing about Waves, it’s the structure. The film is famously split into two distinct, visually opposing halves.
Part One: The Dive The first hour is a sensory hurricane. We follow Tyler (a career-best Kelvin Harrison Jr.), a high school wrestler living under the immense, loving, but crushing pressure of his father, Ronald (Sterling K. Brown). The camera swirls with him. The screen is drenched in saturated neons and hypnotic tracking shots set to a thrumming hip-hop score (featuring Frank Ocean, Kanye West, and Tame Impala).
We watch Tyler navigate injury, an unplanned pregnancy with his girlfriend Alexis (Alexa Demie), and the slow unraveling of his perfect facade. It’s kinetic. It’s beautiful. It’s terrifying—because Shults never lets us forget that this energy is a loaded weapon. And when Tyler finally snaps at a house party, the film detonates. The result is a single act of violence so abrupt and devastating that the screen literally goes black. You will not be prepared. "Waves" (2019): A visceral ode to love, loss,
Part Two: The Float Then comes the second half. The color palette desaturates. The camera steadies. The music shifts to the ethereal, mournful tones of Radiohead and ambient soundscapes. The focus moves from Tyler to his sister, Emily (Taylor Russell). Where the first half was about momentum, the second is about aftermath.
We follow Emily as she tries to find normalcy while her family collapses. She falls into a gentle, tentative romance with a sweet-natured teammate named Luke (Lucas Hedges). This isn’t a redemption story for Tyler; it’s a survival story for everyone else. Shults has the audacity to ask: What happens to the people left standing after the explosion?
The final frame
Waves is not an easy watch. It is two hours and fifteen minutes of emotional claustrophobia. It might make you angry. It might make you sob. It might, like it did for me, leave you staring at the wall for twenty minutes after the credits roll.
But it is essential. It understands that modern life is not a series of plot points but a frequency. Sometimes it’s loud and distorted. Sometimes it’s quiet and clean. And sometimes, if you’re lucky, you learn to float. Kelvin Harrison Jr
Waves is currently streaming on Amazon Prime Video, Hulu, and Kanopy. Bring tissues. Leave your judgment at the door.
Themes of Masculinity and Forgiveness
At its core, Waves is a critique of toxic masculinity. Tyler is a victim of a culture that teaches young men that their worth is tied solely to physical strength and success. When his body fails him, his sense of self disintegrates. Sterling K. Brown’s performance as Ronald is crucial here; he is not a villain, but a flawed man who realizes too late that his methods of "protection" were actually a cage.
The film’s final act offers a powerful argument for radical forgiveness. In a breathtaking sequence set to the song "Secrets" by The Weeknd, the characters confront the reality that while they cannot undo the past, they can choose not to let it destroy their future. It is a rare cinematic moment that feels genuinely earned—a catharsis that leaves the audience breathless.